[{"data":1,"prerenderedAt":60},["ShallowReactive",2],{"artwork-ren-wu-gu-shi-tu-xun-yang-pi-pa-chou-ying-222192":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":31,"mainColor":32,"tagLinks":33},222192,"ren-wu-gu-shi-tu-xun-yang-pi-pa-chou-ying-222192","人物故事图-浔阳琵琶","明","仇英","北京故宫博物院","全册共十开，内容取材于历史故事、寓言传说、文人轶事和诗文寓意，具体为子路问津、明妃出塞、贵妃晓妆、南华秋水、吹箫引凤、高山流水、竹院品古、松林六逸、浔阳琵琶、捉柳花图等。这些题材历史上常被画家描绘，但仇英在作品立意、形象塑造和笔墨表现等方面，都注入了自己的才思和技巧，显示出鲜明的个性风格。\n作品主题明确，构思巧妙，不仅人物活动的细节刻画具体明晓，而且注意环境气氛的烘托，使每幅画页都有很强的观赏性。如“贵妃晓妆”页，以杨贵妃清晨在华清宫端正楼对镜理髻为中心，将宫女奏乐、采花和携琵琶等情节同现于一个画面，集中表现了贵妃爱牡丹、喜簪花、善声乐、好打扮的习性，也概括反映了贵妃奢华纵乐的生活内容。又如“高山流水”页，取材于伯牙鼓琴的故事，在描绘俞伯牙草亭弹琴，钟子期拾阶而上，知音相遇的具体情节同时，布置了高山飞瀑、松林流水的静谧清幽环境，形象地表达了高山流水的音乐内容，也衬托出人物的高雅情操，以象征性手法营造出了一个情景交融的臻境。\n此图册运用工笔重彩法。人物情态描绘得细腻精微，文人举止高雅潇洒，仕女容貌端庄娟美。建筑器皿工整精细，山石树木形态各具。笔致工细而不板滞，流畅自然，刚柔相济。敷色艳丽，又多和色，整体色调和谐、清雅。作品具有雅俗共赏的艺术效果，是仇英对唐宋工笔重彩法的创新和发展。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"高清","国画","工笔重彩","设色","册页","人物","舟船","山水","树木","骆驼","音乐","历史故事","文人轶事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc35abb769ff5e9054e9cf450da226925.jpg","绢本，设色","每开纵41.4厘米，横33.8厘米","",[],88,0,"BDBDBD",[34,36,38,40,42,44,46,48,50,52,54,56,58],{"name":12,"slug":35},"gao-qing",{"name":13,"slug":37},"guo-hua",{"name":14,"slug":39},"gong-bi-zhong-cai",{"name":15,"slug":41},"she-se",{"name":16,"slug":43},"ce-ye",{"name":17,"slug":45},"ren-wu",{"name":18,"slug":47},"zhou-chuan",{"name":19,"slug":49},"shan-shui",{"name":20,"slug":51},"shu-mu",{"name":21,"slug":53},"luo-tuo",{"name":22,"slug":55},"yin-yue",{"name":23,"slug":57},"li-shi-gu-shi",{"name":24,"slug":59},"wen-ren-yi-shi",1777535398813]