[{"data":1,"prerenderedAt":63},["ShallowReactive",2],{"artwork-ren-wu-gu-shi-tu-zi-lu-wen-jin-chou-ying-222188":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},222188,"ren-wu-gu-shi-tu-zi-lu-wen-jin-chou-ying-222188","人物故事图-子路问津","明","仇英","北京故宫博物院","全册共十开，内容取材于历史故事、寓言传说、文人轶事和诗文寓意，具体为子路问津、明妃出塞、贵妃晓妆、南华秋水、吹箫引凤、高山流水、竹院品古、松林六逸、浔阳琵琶、捉柳花图等。这些题材历史上常被画家描绘，但仇英在作品立意、形象塑造和笔墨表现等方面，都注入了自己的才思和技巧，显示出鲜明的个性风格。\n作品主题明确，构思巧妙，不仅人物活动的细节刻画具体明晓，而且注意环境气氛的烘托，使每幅画页都有很强的观赏性。如“贵妃晓妆”页，以杨贵妃清晨在华清宫端正楼对镜理髻为中心，将宫女奏乐、采花和携琵琶等情节同现于一个画面，集中表现了贵妃爱牡丹、喜簪花、善声乐、好打扮的习性，也概括反映了贵妃奢华纵乐的生活内容。又如“高山流水”页，取材于伯牙鼓琴的故事，在描绘俞伯牙草亭弹琴，钟子期拾阶而上，知音相遇的具体情节同时，布置了高山飞瀑、松林流水的静谧清幽环境，形象地表达了高山流水的音乐内容，也衬托出人物的高雅情操，以象征性手法营造出了一个情景交融的臻境。\n此图册运用工笔重彩法。人物情态描绘得细腻精微，文人举止高雅潇洒，仕女容貌端庄娟美。建筑器皿工整精细，山石树木形态各具。笔致工细而不板滞，流畅自然，刚柔相济。敷色艳丽，又多和色，整体色调和谐、清雅。作品具有雅俗共赏的艺术效果，是仇英对唐宋工笔重彩法的创新和发展。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","册","工笔重彩","设色","人物","山水","树木","山石","江水","马车","子路问津","历史故事","文人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3113aa636a1969d1889567021aaf7551.jpg","绢本，设色","每开纵41.4厘米，横33.8厘米","",[],63,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59,61],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"ce",{"name":15,"slug":42},"gong-bi-zhong-cai",{"name":16,"slug":44},"she-se",{"name":17,"slug":46},"ren-wu",{"name":18,"slug":48},"shan-shui",{"name":19,"slug":50},"shu-mu",{"name":20,"slug":52},"shan-shi",{"name":21,"slug":54},"jiang-shui",{"name":22,"slug":56},"ma-che",{"name":23,"slug":58},"zi-lu-wen-jin",{"name":24,"slug":60},"li-shi-gu-shi",{"name":25,"slug":62},"wen-ren",1777535402029]