[{"data":1,"prerenderedAt":42},["ShallowReactive",2],{"artwork-rui-guang-ta-si-tian-wang-xiang-3-yi-ming-220243":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":17,"size":20,"collection":21,"collections":22,"showCount":23,"zanCount":24,"manualWeight":25,"mainColor":26,"tagLinks":27},220243,"rui-guang-ta-si-tian-wang-xiang-3-yi-ming-220243","瑞光塔四天王像3","宋","佚名","苏州瑞光寺塔","是可供研究唐代吴道子画风的一件重要绘画遗存。\n吴道子一生以宗教画创作为主，留下壁画三百余壁，但从唐武宗会昌五年（845）废寺毁佛像以后，存留就寥寥无几了。不过，他的画风由唐代粉本，和后世画家的仿作中所保存下来的还是不少。四天王像的创作年代在大中祥符六年（1013）之前，距吴道子逝世两个半世纪左右，当时，吴画原作还有少量寺庙壁画遗存。他的画风在宗教画中有强大影响。从四天王像中，就明显地可以看到吴道子画风的几个富有特征的表现。",[12,13,14,15,16,17,18],"宗教","壁画","人物","兽","兵器","设色","工笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d6520b33166666ff109398c72410528.jpg","42.5X123厘米","",[],47,1,0,"795548",[28,30,32,34,36,38,40],{"name":12,"slug":29},"zong-jiao",{"name":13,"slug":31},"bi-hua",{"name":14,"slug":33},"ren-wu",{"name":15,"slug":35},"shou",{"name":16,"slug":37},"bing-qi",{"name":17,"slug":39},"she-se",{"name":18,"slug":41},"gong-bi",1777535405689]