[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-rui-guang-ta-si-tian-wang-xiang-yi-ming-220245":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":18,"material":14,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":24,"mainColor":25,"tagLinks":26},220245,"rui-guang-ta-si-tian-wang-xiang-yi-ming-220245","瑞光塔四天王像","宋","佚名","苏州瑞光寺塔","是可供研究唐代吴道子画风的一件重要绘画遗存。\n吴道子一生以宗教画创作为主，留下壁画三百余壁，但从唐武宗会昌五年（845）废寺毁佛像以后，存留就寥寥无几了。不过，他的画风由唐代粉本，和后世画家的仿作中所保存下来的还是不少。四天王像的创作年代在大中祥符六年（1013）之前，距吴道子逝世两个半世纪左右，当时，吴画原作还有少量寺庙壁画遗存。他的画风在宗教画中有强大影响。从四天王像中，就明显地可以看到吴道子画风的几个富有特征的表现。",[7,12,13,14,15,16,17],"宗教","人物","设色","工笔","兽","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb600a4c58790b06121a6db55967ede52.jpg","42.5X123厘米","人物画精选",[20],186,1,0,"795548",[27,29,31,33,35,37,39],{"name":7,"slug":28},"song-670",{"name":12,"slug":30},"zong-jiao",{"name":13,"slug":32},"ren-wu",{"name":14,"slug":34},"she-se",{"name":15,"slug":36},"gong-bi",{"name":16,"slug":38},"shou",{"name":17,"slug":40},"mu-zhi",1777535394940]