[{"data":1,"prerenderedAt":43},["ShallowReactive",2],{"artwork-run-zhong-qiu-yue-zhao-ji-289742":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":26,"mainColor":27,"tagLinks":28},289742,"run-zhong-qiu-yue-zhao-ji-289742","闰中秋月","宋","赵佶","藏地不详","该书法帖是故宫博物院所藏赵佶的“瘦金体”《闰中秋月帖》。作品笔画细瘦如“筋”，舒展飘逸，却挺拔有力，气韵生动且不失腴润，更不显稚弱之气，有浓郁的书卷气息。\n赵佶的书法，早年学薛稷、黄庭坚，后又参合褚遂良诸家，出以挺瘦秀润，又变化“二薛”（薛稷、薛曜），形成自己的独特风格。观赏作品，可发现，其线条瘦直挺拔，横画收笔带钩，竖画收笔带点，撇如匕首，捺如切刀，竖钩细长，有些连笔字像游丝行空，已近行书。其用笔源于褚、薛，只是写得更瘦劲；结体笔势取黄庭坚大字楷书，舒展劲挺。这种书体从美学的角度讲：丽美之气袭人，婀娜多姿。在古代皇权集中制的时代，一般的情况下，肃穆、庄重、典雅和大气是皇家风格的主要特征。但是，历史似乎在动荡的宋朝发生了非规律性的扭动，从而造成了皇权和皇家审美标准的大逆转。赵佶荒废朝政、一心沉溺于书画艺术这一事实，推动了他艺术天分的表露和宣泄。而他的美学标准也随着扭动的历史现实化而变得大背传统，形成独特的一种艺术风格。这可能就是宋徽宗“瘦金体”书法形成的历史渊源吧！但是，优秀的艺术流派是以它优秀的艺术价值流传的，艺术的光芒不会因创造者某一方面的缺失而受到因影响。赵佶的“瘦金书”墨迹，优雅之气与瑰丽之气并重，正如岳珂在《宝真斋法书赞》称赞他的书法所言：“金缕之妙，细比毫发，殆与神工鬼能，较奇逞并于秋毫间。”",[12,13,14,15,16,17,18],"高清","书法","楷书","印章","明月","中秋","诗词","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26596379d9428c2728071db884a953e4.jpg","未知","Xcm*Xcm","",[],103,2,0,"BDBDBD",[29,31,33,35,37,39,41],{"name":12,"slug":30},"gao-qing",{"name":13,"slug":32},"shu-fa",{"name":14,"slug":34},"kai-shu",{"name":15,"slug":36},"yin-zhang",{"name":16,"slug":38},"ming-yue",{"name":17,"slug":40},"zhong-qiu",{"name":18,"slug":42},"shi-ci",1777535397819]