[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-san-shu-tu-juan-zhu-zhan-ji-233830":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},233830,"san-shu-tu-juan-zhu-zhan-ji-233830","三鼠图卷","明","朱瞻基","北京故宫博物院","该画卷由三件画作组成，分别为：苦瓜鼠图（纸本墨笔）、菖蒲鼠荔图（绢本设色）、食荔图。卷末有明宪宗朱见深御制题跋。此卷现藏于北京故宫博物院，钤明末宋荦、清乾隆、嘉庆、宣统等藏印。\n虽然同为一卷画，但《苦瓜鼠图》与《菖蒲鼠荔图》《食荔图》的风格有很大的不同。《苦瓜鼠图》用笔爽朗，逸笔草草，与朱瞻基《武侯高卧图卷》（北京故宫博物院藏）中的墨竹、丛草以及《松云荷雀图卷》中的荷叶、兰草和寿石的笔法一致。而《菖蒲鼠荔图》和《食荔图》则工整秀逸，笔法精到。画中老鼠偷食苦瓜及红荔饶有趣味，前者将并不为人待见的老鼠的憨态与顽皮神态鲜活地表现出来，正如韩昂在《图绘宝鉴续纂》中评朱瞻基画艺所说：“万几之暇，留神词翰，于图画之作，随意所至，尤极精妙” ；后者所写 “荔枝” 有语带双关之意，“红荔” 与 “红利” 谐音，而 “荔枝” 又有 “一本万利” 之义，故老鼠啃食荔枝，具有吉祥寓意，其画中的内涵，已然超越了画作本身。",[12,13,14,15,16,17,18,19,20,21,22],"国画","书画","长卷","工笔","设色","鼠","荔枝","葡萄","叶子","石头","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb37524d5d18f707fb2aabe2b8bb52ec5.jpg","纸本墨笔、绢本设色","纵28.2，横 38.5 厘米","",[],24,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"guo-hua",{"name":13,"slug":35},"shu-hua",{"name":14,"slug":37},"chang-juan",{"name":15,"slug":39},"gong-bi",{"name":16,"slug":41},"she-se",{"name":17,"slug":43},"shu-132",{"name":18,"slug":45},"li-zhi",{"name":19,"slug":47},"pu-tao",{"name":20,"slug":49},"ye-zi",{"name":21,"slug":51},"shi-tou",{"name":22,"slug":53},"yin-zhang",1777535414840]