[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-shan-shui-ba-jing-3-gong-xian-222613":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},222613,"shan-shui-ba-jing-3-gong-xian-222613","山水八景-3","清","龚贤","上海博物馆","龚贤（1618-1689年），一名岂贤，字半千，号半山野人，江苏昆山人，寓居南京（今江苏南京）。擅画山水，用墨层层染渍，独创一格。为“金陵八家”之首。\n龚贤在明朝末年曾参与“复社”力图改变时弊，入清后不好仕进，以鬻画、课徒为生。康熙六年（1667年），龚贤在南京清凉山下隐居，筑半亩园，不履市井，潜心研习山水画创作，著有《香草堂集》、《画诀》、《龚半千授徒画稿》等著作。\n全卷共分八段，绘江南湖光潋滟、烟雨朦胧之色。卷内，水墨，设色之景相互穿插，较为全面的展现出龚贤山水画的多种面貌。龚贤的绘画技法远追五代董源、宋代米氏父子、元代吴镇的绘画风格而自成一家。从龚贤书于卷尾的落款看，他在创作此卷时借鉴了沈周、文徵明的笔墨意韵。是卷作于康熙廿三年（1684），作者时年67岁。",[12,13,14,15,16,17,18,19,20,21,22],"高清","国画","水墨","积墨","皴法","山水","亭","飞鸟","枯树","山石","水域","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb6d0d0a469d88f3e8e2c0ce23313a769.jpg","纸","纵24.4 厘米 横49.7 厘米","",[],8,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"shui-mo",{"name":15,"slug":39},"ji-mo",{"name":16,"slug":41},"cun-fa",{"name":17,"slug":43},"shan-shui",{"name":18,"slug":45},"ting",{"name":19,"slug":47},"fei-niao",{"name":20,"slug":49},"ku-shu",{"name":21,"slug":51},"shan-shi",{"name":22,"slug":53},"shui-yu",1777535435554]