[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-shan-shui-ba-jing-ce-gong-xian-222611":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},222611,"shan-shui-ba-jing-ce-gong-xian-222611","山水八景册","清","龚贤","上海博物馆","龚贤（1618-1689年），一名岂贤，字半千，号半山野人，江苏昆山人，寓居南京（今江苏南京）。擅画山水，用墨层层染渍，独创一格。为“金陵八家”之首。\n龚贤在明朝末年曾参与“复社”力图改变时弊，入清后不好仕进，以鬻画、课徒为生。康熙六年（1667年），龚贤在南京清凉山下隐居，筑半亩园，不履市井，潜心研习山水画创作，著有《香草堂集》、《画诀》、《龚半千授徒画稿》等著作。\n全卷共分八段，绘江南湖光潋滟、烟雨朦胧之色。卷内，水墨，设色之景相互穿插，较为全面的展现出龚贤山水画的多种面貌。龚贤的绘画技法远追五代董源、宋代米氏父子、元代吴镇的绘画风格而自成一家。从龚贤书于卷尾的落款看，他在创作此卷时借鉴了沈周、文徵明的笔墨意韵。是卷作于康熙廿三年（1684），作者时年67岁。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","国画","水墨","皴法","册","山水","枯树","茅屋","云雾","篱笆","远山","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F916def8a20ec4b554a2eb8de0cf5329f.jpg","纸","纵24.4 厘米 横49.7 厘米","山水画精选",[27,29],"水墨画精选",92,1,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"shui-mo",{"name":15,"slug":42},"cun-fa",{"name":16,"slug":44},"ce",{"name":17,"slug":46},"shan-shui",{"name":18,"slug":48},"ku-shu",{"name":19,"slug":50},"mao-wu",{"name":20,"slug":52},"yun-wu",{"name":21,"slug":54},"li-ba",{"name":22,"slug":56},"yuan-shan",{"name":23,"slug":58},"yin-zhang",1777535398510]