[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-shan-shui-hua-fang-ju-ran-wang-shi-min-219999":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},219999,"shan-shui-hua-fang-ju-ran-wang-shi-min-219999","山水画-仿巨然","清","王时敏","天津博物馆","王时敏出身于仕宦之家，祖父王锡爵是万历内阁首辅大臣。由于父亲王衡早逝，而他又是独子，自小就是和祖父生活在一起。《国朝画征录》记载，王锡爵极为喜爱这个孙子，专心培养他的“好古之心”。王时敏在董其昌和陈继儒等的辅导下，绘技大进。董其昌把他视为南宗画派的不二继承人，“可备传灯一宗，真源嫡派”。王时敏受祖荫出仕后担任尚宝丞和太常寺少卿等官，降清后作为明朝的遗民，退隐山野，专心绘事。他继承和扩大了南宗画派影响，发展了清代绘画的笔墨，创建了著名的娄东画派，成为当时艺术界不可撼动的泰斗，被视为清代正统画派的开山鼻祖。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"国画","书画","立轴","水墨","皴法","临摹","山水","老树","亭","小桥","孤石","枯藤","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc743492f61b4c5c3ac9b8e7474dea8ce.jpg","纸本,设色","22.5x27.5","设色画精选",[28],149,4,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":36},"guo-hua",{"name":13,"slug":38},"shu-hua",{"name":14,"slug":40},"li-zhou",{"name":15,"slug":42},"shui-mo",{"name":16,"slug":44},"cun-fa",{"name":17,"slug":46},"lin-mo",{"name":18,"slug":48},"shan-shui",{"name":19,"slug":50},"lao-shu",{"name":20,"slug":52},"ting",{"name":21,"slug":54},"xiao-qiao",{"name":22,"slug":56},"gu-shi",{"name":23,"slug":58},"ku-teng",{"name":24,"slug":60},"yin-zhang",1777535395902]