[{"data":1,"prerenderedAt":73},["ShallowReactive",2],{"artwork-shan-shui-juan-sun-zhi-234222":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":30,"material":31,"size":31,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":34,"mainColor":35,"tagLinks":36},234222,"shan-shui-juan-sun-zhi-234222","山水卷","明","孙枝","藏地不详","孙枝（公元16-17世纪初，生卒年不详），明代画家。字叔达、微之，号华林、华林居士，吴县（今江苏苏州）人。工书善画，长于山水，师法文征明，明姜绍书《无声诗史》谓其“石树葱秀，毫素间有洒然出尘之致，亦吴中佳手也”。所作山水意境幽深，风格秀整。花卉、人物亦佳，曾学唐寅而气韵笔力不逮。为吴门派画家之一。其画法出自文征明，石树葱秀，毫素间有洒然出麈之致。花卉、人物亦佳，人物且注重大型画面如画卷移居图。北京故宫博物院藏有其所作九龙山居图卷，盖学唐寅而不及者。\n传世作品有：嘉靖三十八年(1559)作《梅石水仙图》轴，款署“嘉靖己未冬月孙枝”、万历十五年(1587)作《五湖钓叟图》卷、十八年(1590)作《携琴访友图》轴，现藏故宫博物院；隆庆五年(1571)作《九龙山居图》卷、万历十六(1588)作《清溪放棹图》轴，藏北京市文物局；万历七年(1579)作《溪山秋意图》轴，款署“万历己卯秋日吴郡孙枝写”，藏上海博物馆；二十三年(1595)作《踏雪访友图》轴，款署“万历乙未九月吴郡孙枝写”，藏苏州市博物馆；三十五年(1607)作《山水图》扇页，著录于《中国书画家印鉴款识》。从艺活动约在嘉靖、万历间。款识:吴郡孙枝写。万历二十年（1601）尝作爱荆图卷。（《无声诗史》《明画录》《珊瑚网》《式古堂书画汇考》《榆园画志》）",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29],"高清","国画","书画","长卷","山水","水墨","设色","皴法","山峦","树木","河流","船只","房屋","亭台","岛屿","松树","书法","行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d0ec691c5cc82f67c319d0c2ea7205c.jpg","",[],7,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65,67,69,71],{"name":12,"slug":38},"gao-qing",{"name":13,"slug":40},"guo-hua",{"name":14,"slug":42},"shu-hua",{"name":15,"slug":44},"chang-juan",{"name":16,"slug":46},"shan-shui",{"name":17,"slug":48},"shui-mo",{"name":18,"slug":50},"she-se",{"name":19,"slug":52},"cun-fa",{"name":20,"slug":54},"shan-luan",{"name":21,"slug":56},"shu-mu",{"name":22,"slug":58},"he-liu",{"name":23,"slug":60},"chuan-zhi",{"name":24,"slug":62},"fang-wu",{"name":25,"slug":64},"ting-tai",{"name":26,"slug":66},"dao-yu",{"name":27,"slug":68},"song-shu",{"name":28,"slug":70},"shu-fa",{"name":29,"slug":72},"xing-shu",1777535437420]