[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-shan-shui-qing-ya-tu-ce-shi-tao-290459":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},290459,"shan-shui-qing-ya-tu-ce-shi-tao-290459","山水清雅图册","清","石涛","藏地不详","石涛（1642年－1708年）明末清初著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等，明靖江王朱亨嘉之子，与弘仁、髡残、朱耷合称“明末四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"名画","国画","书画","册","山水","设色","皴法","山石","屋舍","古松","远山","印章","清雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3bd638039d20e8dcda51965ebdcf87c.jpg","未知","Xcm*Xcm","",[],107,1,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":36},"ming-hua",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"shu-hua",{"name":15,"slug":42},"ce",{"name":16,"slug":44},"shan-shui",{"name":17,"slug":46},"she-se",{"name":18,"slug":48},"cun-fa",{"name":19,"slug":50},"shan-shi",{"name":20,"slug":52},"wu-she",{"name":21,"slug":54},"gu-song",{"name":22,"slug":56},"yuan-shan",{"name":23,"slug":58},"yin-zhang",{"name":24,"slug":60},"qing-ya",1777535397570]