[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-shan-shui-shan-mian-4-gong-xian-222624":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},222624,"shan-shui-shan-mian-4-gong-xian-222624","山水扇面-4","清","龚贤","藏地不详","龚贤（1618-1689年），一名岂贤，字半千，号半山野人，江苏昆山人，寓居南京（今江苏南京）。擅画山水，用墨层层染渍，独创一格。为“金陵八家”之首。\n龚贤在明朝末年曾参与“复社”力图改变时弊，入清后不好仕进，以鬻画、课徒为生。康熙六年（1667年），龚贤在南京清凉山下隐居，筑半亩园，不履市井，潜心研习山水画创作，著有《香草堂集》、《画诀》、《龚半千授徒画稿》等著作。\n全卷共分八段，绘江南湖光潋滟、烟雨朦胧之色。卷内，水墨，设色之景相互穿插，较为全面的展现出龚贤山水画的多种面貌。龚贤的绘画技法远追五代董源、宋代米氏父子、元代吴镇的绘画风格而自成一家。从龚贤书于卷尾的落款看，他在创作此卷时借鉴了沈周、文徵明的笔墨意韵。是卷作于康熙廿三年（1684），作者时年67岁。",[12,13,14,15,16,17,18,19,20,21],"高清","国画","水墨","山水","扇面","皴法","树木","山石","小桥","草丛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a851eec450e8b11c5a0839e9edbcd70.jpg","纸本，墨笔","纵22.7厘米，横63.1厘米","",[],20,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"guo-hua",{"name":14,"slug":36},"shui-mo",{"name":15,"slug":38},"shan-shui",{"name":16,"slug":40},"shan-mian",{"name":17,"slug":42},"cun-fa",{"name":18,"slug":44},"shu-mu",{"name":19,"slug":46},"shan-shi",{"name":20,"slug":48},"xiao-qiao",{"name":21,"slug":50},"cao-cong",1777535418102]