[{"data":1,"prerenderedAt":66},["ShallowReactive",2],{"artwork-shan-shui-si-tiao-ping-yang-zhou-si-jing-chun-tai-ming-yue-yuan-yao-223288":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":33,"mainColor":34,"tagLinks":35},223288,"shan-shui-si-tiao-ping-yang-zhou-si-jing-chun-tai-ming-yue-yuan-yao-223288","山水四条屏-扬州四景-春台明月","清","袁耀","北京故宫博物院","四条屏分别自题：“春台明月”、“平流涌瀑”、“万松叠翠”、“平岗艳雪”，款署“戊戌仲夏邗上袁耀画。”钤“袁耀”、“昭道”印2方。\n这组画屏是袁耀晚年的作品，所绘为扬州北郊的四处名胜景点，均为写生之作。 “春台明月”绘一派怡人春色，湖岸枝头新绿，垂柳依依，用笔细润秀媚，设色淡雅。“平流涌瀑”画夏日高树浓荫，茂茂森森，以浓厚的墨色点染，华滋苍润。“万松叠翠”写秋时萧瑟之意，构图平远、空明，远景山石以简笔勾勒，林木萧疏，只有常青的松树依然叠翠。“平岗艳雪” 绘冬季大地覆雪，老梅独立，神态潇洒，枝干用笔老练苍劲，再以胭脂、白粉点染敷色。画家将瘦西湖两岸的亭台楼阁、名园胜景置于春夏秋冬四季的大自然中，以传统界画的精湛技法把扬州当时“两堤花柳全依水，一路楼台直到山”的繁荣景象真切形象地展现在观者面前。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"高清","名画","国画","书画","山水","界画","设色","工笔","楼阁","明月","树木","舟船","河流","云雾","柳树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9218ea22d441b2dddefafa0a46fa6764.jpg","绢本，设色","纵57cm，横66.1cm","",[],31,0,"795548",[36,38,40,42,44,46,48,50,52,54,56,58,60,62,64],{"name":12,"slug":37},"gao-qing",{"name":13,"slug":39},"ming-hua",{"name":14,"slug":41},"guo-hua",{"name":15,"slug":43},"shu-hua",{"name":16,"slug":45},"shan-shui",{"name":17,"slug":47},"jie-hua",{"name":18,"slug":49},"she-se",{"name":19,"slug":51},"gong-bi",{"name":20,"slug":53},"lou-ge",{"name":21,"slug":55},"ming-yue",{"name":22,"slug":57},"shu-mu",{"name":23,"slug":59},"zhou-chuan",{"name":24,"slug":61},"he-liu",{"name":25,"slug":63},"yun-wu",{"name":26,"slug":65},"liu-shu",1777535411074]