[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-shan-shui-tu-ma-yuan-221521":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},221521,"shan-shui-tu-ma-yuan-221521","山水图","宋","马远","日本京都国立博物馆","马远擅长山水画，继承和发展了北派山水的画风，能自出新意，下笔遒劲严整，设色清润；用大斧劈皴描画方硬奇峭的山石；树木用笔简要多姿，树叶有夹笔，树干用焦墨，多横斜曲折之态；楼阁大都运用界尺，而加衬染；点景人物自然生动，用不同的线描表现不同条件下的各种水势，对自然观察详细，写实能力高超。\n他的画被当时评价为：“边角之景”，“峭峰直上而不见其顶，或绝壁直下而不见其脚，或近山参天而远山则低，或孤舟泛月而一人独坐”；人称“马一角”，后人也有认为这是南宋偏安的写照。他是南宋时期最重要的画家之一；他的画受到当时皇室的青睐，多有当时宋宁宗杨皇后的题字；与夏圭并称“马夏”、又谓“马一角、夏半边”。马远与李唐、刘松年、夏圭合称为“南宋四家”。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","国画","书画","水墨","设色","皴法","山水","山","水","老树","亭","路径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e4962268301cf0bc93362fcc04d9949.jpg","绢本墨画淡彩","28.2×38.3cm","宋画精选",[27,29,30],"山水画精选","水墨画精选",208,0,"795548",[35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"shu-hua",{"name":15,"slug":42},"shui-mo",{"name":16,"slug":44},"she-se",{"name":17,"slug":46},"cun-fa",{"name":18,"slug":48},"shan-shui",{"name":19,"slug":50},"shan",{"name":20,"slug":52},"shui",{"name":21,"slug":54},"lao-shu",{"name":22,"slug":56},"ting",{"name":23,"slug":58},"lu-jing",1777535394641]