[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"artwork-shan-shui-ye-li-tang-227768":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":32,"material":33,"size":33,"collection":33,"collections":34,"showCount":35,"zanCount":36,"manualWeight":37,"mainColor":38,"tagLinks":39},227768,"shan-shui-ye-li-tang-227768","山水页","宋","李唐","藏地不详","李唐（1066年－1150年），字晞古，亦作希古，宋朝著名画家，河阳三城（今河南孟县）人。\n\n李唐原供奉北宋徽宗的画院，1127年金兵攻陷汴京，李唐颠沛流离，逃往临安（今杭州），以卖画度日。南宋恢复画院后，李唐经人举荐，进入画院，授成忠郎职务。\n\n李唐精于山水画，变荆浩、范宽之法，山水画最初用峭劲的笔墨，写出北方山河雄峻气势；晚年去繁就简，创大斧劈皴；画水打破鱼鳞纹程式，而得盘涡动荡之状；兼工人物画，初似李公麟，后衣褶变为方折劲硬；并以画牛著称。\n\n描绘青绿山水，如《万壑松风图》、《长夏江寺图》等，是北派山水的著名代表人之一，其后用笔及取景变的简括凝炼、构图精练、意境优美，开辟南宋的新画风，并创作人物画《胡笳十八拍》、《采薇图》等，借历史抒发怀念故国，希图中兴的感情。\n\n李唐的画风对后世有很大影响，他也培养了一些杰出弟子如萧照，其后马远、夏圭继承和发展了他的画风，和他一起，并称为“南宋四家”（李唐、刘松年、马远、夏圭）。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31],"高清","国画","书画","名画","水墨","皴法","册页","山水","楼阁","孤舟","树木","山石","水域","船只","建筑","远山","近景","远景","枯树","峭壁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45201661780ca97b7873407544fff787.jpg","",[],29,1,0,"795548",[40,42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72,74,76,78],{"name":12,"slug":41},"gao-qing",{"name":13,"slug":43},"guo-hua",{"name":14,"slug":45},"shu-hua",{"name":15,"slug":47},"ming-hua",{"name":16,"slug":49},"shui-mo",{"name":17,"slug":51},"cun-fa",{"name":18,"slug":53},"ce-ye",{"name":19,"slug":55},"shan-shui",{"name":20,"slug":57},"lou-ge",{"name":21,"slug":59},"gu-zhou",{"name":22,"slug":61},"shu-mu",{"name":23,"slug":63},"shan-shi",{"name":24,"slug":65},"shui-yu",{"name":25,"slug":67},"chuan-zhi",{"name":26,"slug":69},"jian-zhu",{"name":27,"slug":71},"yuan-shan",{"name":28,"slug":73},"jin-jing",{"name":29,"slug":75},"yuan-jing",{"name":30,"slug":77},"ku-shu",{"name":31,"slug":79},"qiao-bi",1777535411949]