[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-shen-xian-tu-ce-7-zhang-lu-222518":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":23,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":27,"mainColor":28,"tagLinks":29},222518,"shen-xian-tu-ce-7-zhang-lu-222518","神仙图册7","明","张路","上海博物馆","张路（1464—1538 ，一作1464—1537）明代画家。字天驰，号平山，汴梁（今河南省开封）人，明代画家。绘人物，师法吴伟，山水学戴进“狂态”，用笔豪放纵逸，水墨酣畅淋漓，与朱端、蒋嵩、汪肇等同为“浙派”名家 。亦工鸟兽、花卉。\n早年画学戴进，临摹能肖其神，画法工细。至南京后，又宗法吴伟，变为粗笔写意。他善画人物，多绘神仙、士子、渔夫，形象质朴，神态清朗，具高昂向上的气质。景致简略，笔墨遒劲，风格豪放，然少秀逸和蕴藉之致；为浙派健将，亦开后来学者粗率之风。他具有典型风貌的水墨写意作品较多，人物多用顿折的重墨线条勾勒，山石以粗犷的笔触作大斧劈皴，运笔迅捷，水墨淋漓，具有豪放动荡的气势。亦能画写意花鸟。",[12,13,14,15,16,17,18,19,20,21],"名画","国画","书画","册","水墨","白描","人物","笔","砚","卷轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F365f96a79eba1447b5b9fefe6c2663ab.jpg","",[],22,1,0,"BDBDBD",[30,32,34,36,38,40,42,44,46,48],{"name":12,"slug":31},"ming-hua",{"name":13,"slug":33},"guo-hua",{"name":14,"slug":35},"shu-hua",{"name":15,"slug":37},"ce",{"name":16,"slug":39},"shui-mo",{"name":17,"slug":41},"bai-miao",{"name":18,"slug":43},"ren-wu",{"name":19,"slug":45},"bi",{"name":20,"slug":47},"yan",{"name":21,"slug":49},"juan-zhou",1777535416541]