[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-shi-lu-li-lu-ting-tu-zhou-qian-long-224125":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":25,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},224125,"shi-lu-li-lu-ting-tu-zhou-qian-long-224125","诗鹭立芦汀图轴","清","乾隆","藏地不详","清乾隆缂丝乾隆御制诗鹭立芦汀图轴是清乾隆时期的图轴。\n米色地上缂织芦花白鹭，右上方以黑线缂织高宗隶书御制诗一首： 采采亚汀洲，为花岂自由。\n群摇令夕雨，不异去年秋。\n藏鹭恋青叶，凌波颤白头。\n吟看惊隙影，荣落宜淹留。\n诗末织圆、方朱印“乾”、“隆”各一方。\n此图轴的特点在于先缂织出物象形状，其上再着笔渲染，如 即先以白丝线织其形态，而后用墨笔画羽毛，地上的小草则全以笔描画，这种织与画的结合，可以画笔来描绘细小而不易缂织之处，弥补了织的不足。\n此作品织与画搭配得当，缂工上乘，以平缂、构缂、环缂、子母经为主。\n画面上还钤有阳文朱印“乾隆御览之宝”、“宣统御览之宝”、“石渠宝笈”、“石渠定鉴”、“三希堂精鉴玺”、“无逸斋精鉴玺”、“乾清宫鉴藏宝”、“宣统鉴赏”和“乾隆鉴赏”、“宜子孙”、“宝笈重编”阴文印章。\n《石渠宝笈续编》著录。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","名画","国画","书画","立轴","工笔","设色","鹭","芦苇","汀","孤石","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdffc101a696745672e7f2512cd182300.jpg","",[],18,0,"795548",[31,33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"ming-hua",{"name":14,"slug":36},"guo-hua",{"name":15,"slug":38},"shu-hua",{"name":16,"slug":40},"li-zhou",{"name":17,"slug":42},"gong-bi",{"name":18,"slug":44},"she-se",{"name":19,"slug":46},"lu-174",{"name":20,"slug":48},"lu-wei",{"name":21,"slug":50},"ting-2367",{"name":22,"slug":52},"gu-shi",{"name":23,"slug":54},"yin-zhang",1777535419868]