[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-shou-zha-juan-ni-yuan-lu-241422":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},241422,"shou-zha-juan-ni-yuan-lu-241422","手札卷","明","倪元璐","藏地不详","倪元璐（1594年1月7日－1644年4月25日），字汝玉，一作玉汝，号鸿宝，浙江绍兴府上虞（今绍兴市上虞区）人。明末官员、书法家。\n天启二年（1622年），倪元璐中进士，以庶吉士授编修，后出主江西乡试。崇祯八年（1635年）任国子祭酒，因被控“妾冒妻封”而落职。南归后居绍兴城中。崇祯十五年（1642年）起用为兵部右侍郎兼侍讲学士，次年拜户部尚书兼翰林院学士，不久又兼摄吏部。崇祯十七年（1644年）初，大顺军逼近北京，倪元璐请修南京宫殿，以备不测，但未被采纳。三月，北京失陷，倪元璐自缢以殉节。南明弘光元年（1645年），追赠少保、吏部尚书，谥号“文正”。后清廷赐谥“文贞”。\n倪元璐书法灵秀神妙，行草尤极超逸，最得王右军、颜鲁公和苏东坡三人翰墨之助， 用笔锋棱四露中见苍浑，并时杂有渴笔与浓墨相映成趣，结字奇侧多变，书风奇伟，后人对他有“笔奇、字奇、格奇”之“三奇”，“势足、意足、韵足”之“三足”的称誉。他突破了明末柔媚的书风，创造了具有强烈个性的书法，与黄道周、王铎鼎足而立，并称“明末书坛三株树”，又与王铎、傅山、黄道周、张瑞图并称“晚明五大家”，成为明末书风的代表。代表作有《行草诗翰》轴。亦能诗文，著有《倪文贞集》。",[12,13,14,15,16,17,18,19,20,21],"高清","书法","行书","草书","手札","长卷","印章","明代","纸本","墨迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F90b8f209cdad2cf152b12019e6910799.jpg","未知","Xcm*Xcm","",[],4,0,"BDBDBD",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"shu-fa",{"name":14,"slug":36},"xing-shu",{"name":15,"slug":38},"cao-shu",{"name":16,"slug":40},"shou-zha",{"name":17,"slug":42},"chang-juan",{"name":18,"slug":44},"yin-zhang",{"name":19,"slug":46},"ming-dai",{"name":20,"slug":48},"zhi-ben",{"name":21,"slug":50},"mo-ji",1777535449004]