[{"data":1,"prerenderedAt":36},["ShallowReactive",2],{"artwork-shu-guai-shi-shi-zhao-ji-221252":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":17,"material":18,"size":19,"collection":20,"collections":21,"showCount":22,"zanCount":23,"manualWeight":23,"mainColor":24,"tagLinks":25},221252,"shu-guai-shi-shi-zhao-ji-221252","书怪石诗","宋","赵佶","台北故宫博物院","赵佶(（1082-1135） 即宋徽宗。北宋书画家。神宗子，哲宗时封端王。登位前，独好笔研丹青，图史射御。与王诜、赵令穰、黄庭坚、吴元瑜等交往。在位（1100-1125）期间，政治腐败，穷奢极侈，任由蔡京、童贯等权奸把持朝政，推行「守内虚外」政策，河北、山东、江南等地农民暴动迭起。\n公元1126年1月（宣和七年十二月），传位子赵桓（钦宗)，自称“太上皇”。1127年（靖康二年），与钦宗等被金兵俘虏，死於五国城之越里吉（今黑龙江依兰）。在位时广收历代文物、书画，极一时之盛；亲自掌管翰林图画院，使文臣编辑《宣和书谱》、《宣和画谱》、《宣和博古图》等书。任米芾为书画学博士，赐予画院的画家佩带金紫鱼袋，将画院列在其他各院（书、琴、棋等）之上。任命宋子房为主考官，用科举办法选拔画家，对绘画艺术，具有推动和倡导的贡献。擅书法，真书学薛曜，草书学黄庭坚，後自创瘦劲锋利如“屈铁断金”的“瘦金体”。《铁围山丛谈》谓：“裕陵（赵佶）作黄庭坚书体，後自成一法。”\n传世书迹有真书及草书《千字文卷》等，现藏上海博物馆。绘画得吴元瑜传授，继承崔白风格，重视写生，体物入微，以精工逼真著称；工花鸟，相传用生漆点鸟睛，尤见生动。认为画孔雀上墩，必先左脚。经观察一如期言。亦擅山水和人物。获有“妙体众行、兼备各法”之誉。但有些作品乃画院中高手代笔。画后押字用“天水”及“宣和”、“政和”小玺或用瓢印虫鱼篆文，还常押书“天下一人”。传世作品有《芙蓉锦鸡图》轴，现藏北京故宫博物院；《柳塘芦雁图》卷，藏上海博物馆；《摹张宣虢国夫人游春图》卷，藏辽宁省博物馆。",[12,13,14,15,16],"书法","瘦金体","墨书","怪石","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74553f1d42cf7f1b11a62f410cab9735.jpg","白纸本","44.5x61.9","",[],51,0,"BDBDBD",[26,28,30,32,34],{"name":12,"slug":27},"shu-fa",{"name":13,"slug":29},"shou-jin-ti",{"name":14,"slug":31},"mo-shu",{"name":15,"slug":33},"guai-shi",{"name":16,"slug":35},"yin-zhang",1777535404708]