[{"data":1,"prerenderedAt":69},["ShallowReactive",2],{"artwork-shu-se-ping-yuan-tu-guo-xi-221291":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":34,"zanCount":35,"manualWeight":36,"mainColor":37,"tagLinks":38},221291,"shu-se-ping-yuan-tu-guo-xi-221291","树色平远图","宋","郭熙","美国大都会艺术博物馆","《树色平远图》是由北宋时期画家 所作的一副绢本墨笔画，现收藏于美国大都会美术馆。\n《树色平远图》描绘了河流两岸树色平远的景色。\n画中点缀有拄杖的老人，携琴捧盒的仆夫，水面的小舟和飞翔的野凫，都渲染了浓郁的诗意。\n描绘的是一河流两岸树色平远的景色。\n画中之景以河为界可分作前后两部分。\n前景画河流近岸，平地坡石，其上生古树数丛，枝干盘曲伸张，树上枯藤缠绕，垂蔓点水。\n开卷处为远山野水，次而出现坡陀老树，冈阜上筑有凉亭，正是文人雅士诗酒嘉会的理想佳处。\n此图无款，卷后有元明诸家诗文题跋。\n《树色平远图》以独特的时空意识在众多以高远构图的大山水画中独树一帜，郭熙主要通过“蟹爪树”点明画作的创作季节，又以流水、小舟、渔翁、行人赋予画作时间的变化性；接着通过平远的布局,群山的后退，加之“S”形的构图的动态性，使得整个画面空间流动起来。\n整幅画以其独特的时空意识召唤观者去畅游山水，体味林泉山水的生命精神。\n《树色平远图》描绘的画面以平远布局，构景简洁，开阔而均衡，墨色浓淡变化丰富而微妙，所造之境具体真实。\n郭熙（约1—约18），北宋画家、绘画理论家。\n字淳夫，河阳温县人。\n因传李成之法而与之并称为“李郭”。\n其画风早年工巧，晚年雄壮，常于巨幛高壁作长松乔木，曲溪断崖，峰峦秀拔，境界雄阔而又灵动飘渺。\n存世作品有《 》、《 》、《 》、《 》、《古木遥山图》、《 》、《树石平远图》等。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"高清","国画","书画","长卷","水墨","皴法","平远","山水","亭","枯藤","老树","孤石","流水","孤舟","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a17b78710e3a953f6c2076e25d8f7b1.jpg","绢本墨笔","纵32.4厘米，横104.8厘米","宋画精选",[30,32,33],"山水画精选","水墨画精选",144,2,0,"795548",[39,41,43,45,47,49,51,53,55,57,59,61,63,65,67],{"name":12,"slug":40},"gao-qing",{"name":13,"slug":42},"guo-hua",{"name":14,"slug":44},"shu-hua",{"name":15,"slug":46},"chang-juan",{"name":16,"slug":48},"shui-mo",{"name":17,"slug":50},"cun-fa",{"name":18,"slug":52},"ping-yuan-621",{"name":19,"slug":54},"shan-shui",{"name":20,"slug":56},"ting",{"name":21,"slug":58},"ku-teng",{"name":22,"slug":60},"lao-shu",{"name":23,"slug":62},"gu-shi",{"name":24,"slug":64},"liu-shui",{"name":25,"slug":66},"gu-zhou",{"name":26,"slug":68},"yin-zhang",1777535396065]