[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-shu-se-ping-yuan-tu-guo-xi-227292":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":26,"material":27,"size":27,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":30,"mainColor":31,"tagLinks":32},227292,"shu-se-ping-yuan-tu-guo-xi-227292","树色平远图","宋","郭熙","台北故宫博物院","《树色平远图》，宋代，郭熙，绢本水墨，纵32.4厘米，横104.8厘米，美国纽约大都会博物馆藏\n\n《树色平远图》表现深秋郊外的优美景象。开卷处为远山野水，次而出现坡陀老树，冈阜上筑有凉亭，正是文人雅士诗酒嘉会的理想佳处。画中点缀有拄杖的老人，携琴捧盒的仆夫，水面的小舟和飞翔的野凫，都渲染了浓郁的诗意。此图无款，卷后有元明诸家诗文题跋。\n\n此图与郭熙的另一副传世名画《窠石平远图》画风和构图极为相似，描绘一河流两岸树色平远的景色。画中之景以河为界可分作前后两部分。前景画河流近岸，平地坡石，其上生古树数丛，枝干盘曲伸张，树上枯藤缠绕，垂蔓点水。整个景物清寒枯硬，其境界清旷平淡。画面以平远布局，构景简洁，开阔而均衡。其树似鹿角蟹爪，山石笔法灵活多变，墨色浓淡变化丰富而微妙，所造之境具体真实，从中可以看出李成画风的影响，同时又体现出郭熙山水画的典型风格。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25],"高清","国画","书画","长卷","山水画","水墨","皴法","山水","树木","远山","平远","老树","枯藤","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18d05c0afd595c9457e8b1f3fe3e463b.jpg","",[],19,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"guo-hua",{"name":14,"slug":38},"shu-hua",{"name":15,"slug":40},"chang-juan",{"name":16,"slug":42},"shan-shui-hua",{"name":17,"slug":44},"shui-mo",{"name":18,"slug":46},"cun-fa",{"name":19,"slug":48},"shan-shui",{"name":20,"slug":50},"shu-mu",{"name":21,"slug":52},"yuan-shan",{"name":22,"slug":54},"ping-yuan-621",{"name":23,"slug":56},"lao-shu",{"name":24,"slug":58},"ku-teng",{"name":25,"slug":60},"gu-shi",1777535418802]