[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"artwork-shuang-song-ping-yuan-tu-zhao-meng-fu-220837":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},220837,"shuang-song-ping-yuan-tu-zhao-meng-fu-220837","双松平远图","元","赵孟頫","美国大都会艺术博物馆","双松的画法稍工，山石则以带有飞白松动笔触勾括，略皴而无染。虽略存李郭画风之形，但简括异常，实属新体。\n画法上更具书法笔趣和文人墨戏的意味。卷首自识「子昂戏作双松平远」，卷尾又识「仆自幼小学书之余，时时戏弄小笔，然于山水独不能工。盖自唐以来，如王右丞、大小李将军、郑广文诸公奇绝之迹，不能一二见。至五代荆、关、董、范辈出，皆与近世笔意辽绝。仪所作者，虽未敢与古人比，然视近世画手则自谓稍异耳。因野云求画，故书其末。《大观录》、《墨缘汇观》、《无益有益齐读画诗》等书著录\n图中近景画苍松立于怪石枯木之中，远景写平坡矮山。写山石空勾轮廓，不加皴染，间有飞白。画双松则用细笔双钩，简约古雅。画面右上署“子昂戏作双松平远”八字，卷末自题日：“仆自幼小学书之余，时时戏弄小笔，然于山水独不能工。盖自唐以来，如王右丞、大小李将军、郑广文诸公奇绝之迹不能一、二见。至五代荆、关、董、范辈出，皆与近世笔意辽绝。仆所作者虽末能与古人比，然视近世画手，则自谓少异耳。因野云求画，故书其末。孟烦。”于此可见，赵孟頫欲弃南宋院体画风而直追唐、五代诸大家。",[12,13,14,15,16,17,18,19,20,21],"国画","书画","长卷","水墨","皴法","山水","松","山石","孤舟","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a66f53d1e4db114c3b3d0147d1368cb.jpg","纸本","纵26.7厘米、横107.3厘米","山水画精选",[25,27],"水墨画精选",220,4,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"shu-hua",{"name":14,"slug":38},"chang-juan",{"name":15,"slug":40},"shui-mo",{"name":16,"slug":42},"cun-fa",{"name":17,"slug":44},"shan-shui",{"name":18,"slug":46},"song",{"name":19,"slug":48},"shan-shi",{"name":20,"slug":50},"gu-zhou",{"name":21,"slug":52},"yin-zhang",1777535394482]