[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"artwork-shui-mo-gu-ting-tu-li-song-289327":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":30,"mainColor":31,"tagLinks":32},289327,"shui-mo-gu-ting-tu-li-song-289327","水末孤亭图","宋","李嵩","藏地不详","李嵩（1166—1243），中国南宋画家，钱塘（今浙江杭州）人。少年时曾为木工，后成为画院画家李从训的养子，绘画上得其亲授，擅长人物、道释，尤精于界画，为光宗、宁宗、理宗（1190一1264）时期画院待诏。\n李嵩画过许多表现下层社会生活的风俗画，及表现农民劳动生活的《春溪渡牛图》、《春社图》和组画《服田图》等。传日的《货郎图》是李嵩传世的重要作品。他以货郎为题材，创作过多幅货郎图。除故宫博物院藏的一幅横卷外，余皆为小幅，分别藏于台北故宫博物院、美国堪萨斯州阿肯博物馆的尼尔逊美术馆及美国纽约大都会美术馆。\n李嵩具有多方面才能，尤其善于通过绘画，表达自己对生活的感受和态度，他的《夜湖图》《水殿招凉图》《观潮图》《西湖图》《仙山瑶涛图》《骷髅幻戏图》《观灯图》《柳塘聚禽图》《花篮图》等，都显示出他卓越的绘画技巧。其中《骷髅幻戏图》则以其不易被人理解的深刻的寓意，为美术史留下了一个画谜。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","扇面","国画","山水画","亭","流水","人物","树木","水岸","水墨","皴法","孤寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F044dd4c6f19319af7bf49dcf1dfd5a75.jpg","未知","Xcm*Xcm","",[],18,0,"795548",[33,35,37,39,41,43,45,47,49,51,53,55],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"shan-mian",{"name":14,"slug":38},"guo-hua",{"name":15,"slug":40},"shan-shui-hua",{"name":16,"slug":42},"ting",{"name":17,"slug":44},"liu-shui",{"name":18,"slug":46},"ren-wu",{"name":19,"slug":48},"shu-mu",{"name":20,"slug":50},"shui-an",{"name":21,"slug":52},"shui-mo",{"name":22,"slug":54},"cun-fa",{"name":23,"slug":56},"gu-ji-3490",1777535419235]