[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-shui-mo-pu-tao-tu-zhou-xu-wei-228763":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":26,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},228763,"shui-mo-pu-tao-tu-zhou-xu-wei-228763","水墨葡萄图轴","明","徐渭","藏地不详","《明徐渭山水花卉人物图》是明代画家徐渭的作品，该画为纸本、水墨，尺幅纵26.9厘米，横8.厘米。\n现藏于 。\n自书款一而：“万历戊子夏仲，偶闲，寓崇侄子云齐中，漫为捉笔，真儿戏也。\n青藤渭。\n”下钤“徐渭之印”等二方。\n另有吴俊卿、李详题跋二页。\n钤印诸方。\n该册十八页，其中画十五页，分别作写意山水人物、写生 ，内容有婴戏、对弈、 、 、稻穗螃蟹等等。\n笔墨简括豪放，随意自然。\n选其二页，可窥真趣。\n徐渭（1521~159年）明代杰出书画家、 。\n初字文清，改字文长，号天池、又号青藤道人、田水月等。\n浙江山阴（今绍兴）人。\n自幼聪慧，文思敏捷。\n且胸有大志。\n参加过嘉靖年间东南沿海的抗倭斗争和反对权奸严嵩，一生遭遇十分坎坷，可谓“落魄人间 ”。\n最后入狱七、八年。\n获释后，贫病交加，以卖诗、文、画糊口，潦倒一生。\n他中年学画，继承梁楷减笔和林良、沈周等写意花卉的画法，故擅长画水墨花卉，用笔放纵，画残菊败荷，水墨淋漓，古拙淡雅，别有风致。\n兼绘山水，纵横不拘绳墨，画人物亦生动，其笔法更趋奔放、简练，干笔、湿笔、破笔兼用，风格清新，恣情汪洋，自成一家，形成“青藤画派”。\n他自己尤以书法自重。\n自称“吾书第一、诗二、文三、画四”。\n袁宏道等称赞他的书法“笔意奔放”，“苍劲中姿媚跃出”，“在王雅宜、文征仲之上。\n他画的《黄甲图》，峭拔劲挺，生动地表现了螃蟹爬行、秋荷凋零的深秋气氛。\n作品流传至今的较多。\n著作有：《四声猿》、《南词叙录》《徐文长佚稿》、《徐文长全集》等。\n传世著名作品有《墨葡萄图》轴、《山水人物花鸟》册（均藏故宫博物院）、《牡丹蕉石图》轴，以及晚年所作《墨花》九段卷（现藏故宫博物院）等。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"高清","国画","书画","立轴","水墨","写意","大写意","泼墨","葡萄","藤蔓","叶子","书法","草书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F504df223fc9470a5121ee4d43301b51c.jpg","",[],528,7,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"guo-hua",{"name":14,"slug":38},"shu-hua",{"name":15,"slug":40},"li-zhou",{"name":16,"slug":42},"shui-mo",{"name":17,"slug":44},"xie-yi",{"name":18,"slug":46},"da-xie-yi",{"name":19,"slug":48},"po-mo",{"name":20,"slug":50},"pu-tao",{"name":21,"slug":52},"teng-wan",{"name":22,"slug":54},"ye-zi",{"name":23,"slug":56},"shu-fa",{"name":24,"slug":58},"cao-shu",1777535393229]