[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"artwork-song-hui-zong-ti-hua-niao-tu-zhao-chang-231852":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":24,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":28,"mainColor":29,"tagLinks":30},231852,"song-hui-zong-ti-hua-niao-tu-zhao-chang-231852","宋徽宗题花鸟图","宋","赵昌","藏地不详","赵昌，生于970-1040年，字昌之，北宋画家，广汉剑南（今四川剑阁之南）人。工书法、绘画，擅画花果，多作折枝花，兼工草虫。初师滕昌祐，后来发展出自身画风，没骨花鸟自成一派，有徐熙、黄荃遗风。在北宋时期与宋徽宗赵佶齐名，是宋代花鸟画坛的杰出画家。\n赵昌，字昌之，北宋时期（公元11世纪)，广汉剑南（今四川剑阁之南）人，生卒年不详。性情爽直高傲，刚正不阿。时州伯邵牧争求笔迹，不肯轻与。\n工书，擅画花果，多作折枝花，兼工草虫。初师滕昌祐，后过其艺，亦效徐崇嗣“没骨法”，常于清晨朝露未干，围绕花圃观察花木神态，调色描绘，自号“写生赵昌”。当时盛行厚彩重色，而赵昌所作一片平滑，明润匀薄，活色生香。真宗大中祥符（1008-1016）间，声誉益隆。丁朱崖奉白金五百为寿，昌感其意，亲往谢之。此时，朱崖邀其至东阁，求画生菜数窠及烂瓜生果等，昌挥笔遽成而去。晚年其自矜所作，往往深藏不市，若见自家画作流落市井，则复自购以归之，故世罕传。",[12,13,14,15,16,17,18,19,20,21,22],"高清","国画","书画","立轴","工笔","设色","花鸟","梅","竹","鸟","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4595cc6a353626e75beccdda5e1c00e.jpg","",[],447,1,0,"795548",[31,33,35,37,39,41,43,45,47,49,51],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"guo-hua",{"name":14,"slug":36},"shu-hua",{"name":15,"slug":38},"li-zhou",{"name":16,"slug":40},"gong-bi",{"name":17,"slug":42},"she-se",{"name":18,"slug":44},"hua-niao",{"name":19,"slug":46},"mei",{"name":20,"slug":48},"zhu",{"name":21,"slug":50},"niao",{"name":22,"slug":52},"gu-shi",1777535393392]