[{"data":1,"prerenderedAt":61},["ShallowReactive",2],{"artwork-song-quan-shi-si-zhou-zhou-chen-222372":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":25,"material":26,"size":27,"collection":28,"collections":29,"showCount":31,"zanCount":32,"manualWeight":32,"mainColor":33,"tagLinks":34},222372,"song-quan-shi-si-zhou-zhou-chen-222372","松泉诗思轴","明","周臣","台北故宫博物院","周臣（1460–1535），字舜卿，号东村，中国明代著名画家。吴（今江苏苏州）人。擅画。\n中国明代中期的著名职业画家。他生活在成化至嘉靖年间。字舜卿，号东村，吴（今江苏苏州）人，生年不详，卒于明世宗嘉靖十四年（即1535年）。擅长画人物和山水，画法严整工细。他有两个学生特别著名，一个唐寅，另一个仇英。唐寅、仇英青出于蓝，风格上极为接近，但当时名气已超过老师。\n周臣山水师承陈暹。曾刻苦临摹李成、郭熙、李唐、马远等作品，其主要取法于李唐派系。画山石坚凝，章法严谨，用笔纯熟。曾与戴进并驱，则互有所长。人物画也非常出色，古貌奇姿，绵密萧散，各极意态。南京博物院收藏的周臣代表作《柴门送别图》 ，描绘一文人携琴访友后，主客分别时依依不舍的情景，明月早已挂在高空，船工也已在船头熟睡，直至客人快要上船了，他还未酲来，说明主客送别时间之长，友谊之深，这其中也融含周臣画体的“院体画”与“文人画”的相融之处。周臣被人们称为非院派的“院派”画家。",[12,13,14,15,16,17,18,19,20,21,22,23,24],"高清","国画","书画","立轴","水墨","设色","山水","松树","山石","泉水","人物","皴法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9ced993c13860c65afb437b92e109b6.jpg","纸本设色","114.6x53.1","山水画精选",[28,30],"设色画精选",79,0,"BDBDBD",[35,37,39,41,43,45,47,49,51,53,55,57,59],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"guo-hua",{"name":14,"slug":40},"shu-hua",{"name":15,"slug":42},"li-zhou",{"name":16,"slug":44},"shui-mo",{"name":17,"slug":46},"she-se",{"name":18,"slug":48},"shan-shui",{"name":19,"slug":50},"song-shu",{"name":20,"slug":52},"shan-shi",{"name":21,"slug":54},"quan-shui",{"name":22,"slug":56},"ren-wu",{"name":23,"slug":58},"cun-fa",{"name":24,"slug":60},"yin-zhang",1777535399811]