[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"artwork-song-yin-ce-zhang-tu-ye-yi-ming-233019":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":30,"mainColor":31,"tagLinks":32},233019,"song-yin-ce-zhang-tu-ye-yi-ming-233019","松阴策杖图页","宋","佚名","北京故宫博物院","艺术史学家高居翰(James Cahill)在《图说中国绘画史》一书中赞叹宋画之美：“在他们的作品中，自然与艺术取得了完美的平衡。他们使用奇异的技巧，以达到恰当的绘画效果，但 是他们从不纯以奇技感人；一种古典的自制力掌握了整个表现，不容流于滥情。艺术家好像生平第一次接触到了自然，以惊叹而敬畏的心情来回应自然。他们视界之 清新，了解之深厚，是后世无可比拟的。”",[12,13,14,15,16,17,18,19,20,21,22,23],"国画","名画","设色","工笔","山水","人物","松","树","童子","远山","草地","策杖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5575f00a384fb24df04d011160151d6.jpg","绢本 设色","28x28.6厘米","",[],10,0,"795548",[33,35,37,39,41,43,45,47,49,51,53,55],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"ming-hua",{"name":14,"slug":38},"she-se",{"name":15,"slug":40},"gong-bi",{"name":16,"slug":42},"shan-shui",{"name":17,"slug":44},"ren-wu",{"name":18,"slug":46},"song",{"name":19,"slug":48},"shu",{"name":20,"slug":50},"tong-zi",{"name":21,"slug":52},"yuan-shan",{"name":22,"slug":54},"cao-di",{"name":23,"slug":56},"ce-zhang",1777535430681]