[{"data":1,"prerenderedAt":58},["ShallowReactive",2],{"artwork-song-zi-tian-wang-tu-wu-dao-zi-289941":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":29,"zanCount":30,"manualWeight":31,"mainColor":32,"tagLinks":33},289941,"song-zi-tian-wang-tu-wu-dao-zi-289941","送子天王图","唐","吴道子","藏地不详","《送子天王图》（又名《天王送子图》、《释迦降生图》）是唐代吴道子根据佛典《瑞应本起经》创作纸本墨笔画，一说宋人摹本。该作现藏于日本大阪市立美术馆。\n全图分为三个部分：第一段描绘一位王者气度的天神端坐中间，两旁是手执笏板的文臣、捧着砚台的仙女，以及仗剑围蛇的武将力士面对一条由二神降伏的巨龙。第二段画的是一个踞坐在石头之上的四臂披发尊神，身后烈焰腾腾。神像形貌诡异，颇具气势，左右两边是手捧瓶炉法器的天女神人。第三段即《释迦牟尼降生图》，内容是印度净饭王的儿子出生的故事。从画面上，可以看到释迦牟尼降生时，他的父亲抱着他到寺庙朝谒见自在天神的情景。\n此图写异域故事，而画中的人、鬼神、兽等却完全加以中国化，当是佛教与中国本土变化至唐日趋融合之势所致。此图意象繁富，以释迦降生为中心，天地诸界情状历历在目，技艺高超，想象奇特，令人神驰目眩。该图着色较淡，近乎白描。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","名画","国画","长卷","白描","人物画","神话","宗教","天王","鬼怪","龙","瑞兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbca5673da27ce7e942f4cd3b8991436.jpg","未知","Xcm*Xcm","",[],629,8,0,"BDBDBD",[34,36,38,40,42,44,46,48,50,52,54,56],{"name":12,"slug":35},"gao-qing",{"name":13,"slug":37},"ming-hua",{"name":14,"slug":39},"guo-hua",{"name":15,"slug":41},"chang-juan",{"name":16,"slug":43},"bai-miao",{"name":17,"slug":45},"ren-wu-hua",{"name":18,"slug":47},"shen-hua",{"name":19,"slug":49},"zong-jiao",{"name":20,"slug":51},"tian-wang",{"name":21,"slug":53},"gui-guai",{"name":22,"slug":55},"long",{"name":23,"slug":57},"rui-shou",1777535393082]