[{"data":1,"prerenderedAt":73},["ShallowReactive",2],{"artwork-sou-jin-qi-feng-tu-juan-shi-tao-233122":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":35,"manualWeight":36,"mainColor":37,"tagLinks":38},233122,"sou-jin-qi-feng-tu-juan-shi-tao-233122","搜尽奇峰图卷","清","石涛","北京故宫博物院","画卷迎首处，石涛自题：“搜尽奇峰打草稿”，钤“老涛”。画尾的空白处，有石涛于画兴之余所题写的长篇画论：“郭河阳论画，山有可望者、可游者、可居者。余曰：江南江北，水陆平川，新沙古岸，是可居者。浅则赤壁苍横，湖桥断岸，深则林峦翠滴，瀑水悬争，是可游者。峰峰入云，飞岩堕日，山无凡土，石长无根，木不妄有，是可望者。今之游于笔墨者，总是名山大川未览，幽岩独屋何居？出郭何曾百里入室，那容半年交泛滥之酒杯，货簇新之古董，道眼未明，纵横习气安可辩焉？自之曰：此某家笔墨，此某家法派，犹盲人之示盲人、丑妇之评丑妇尔，赏鉴云乎哉。不立一法，是吾宗也，不舍一法，是吾旨也，学者知之乎。时辛未二月，余将南还客且憨斋，宫纸余案，主人慎庵先生索画并识请教，清湘枝下人石涛元济。”钤“苦瓜和尚”、“冰雪悟前身”、“石涛”。\n后隔水及尾纸，有墨香堂、陈奕禧、徐云、叶河音布等家题诗和题记。全幅钤鉴藏印数十方。\n此图是他50岁云游京师所作。图中有一段对长城的描绘，这不仅是长城图像首次在山水画中出现，同时，也印证了此画的写实性以及作者所提倡的师法造化“搜尽奇峰打草稿”的美学观。该画在表现上，于奇险中见雄浑，严谨处寓虚空。虽看似笔墨豪放，皴擦点染尽在无意，而在整体上却把握了峰峦层次，云气走向及林木隐现的神韵。特别是，它的构图虽然充塞满纸，却丝毫不失疏朗空灵，这的确是只有搜尽奇峰才能炼就出的本领。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28],"国画","书画","长卷","水墨","山水","皴法","书法","印章","行书","奇峰","山峦","河流","树木","山石","云雾","舟楫","屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2509a448a26e43ea37e9080967b1229.jpg","纸本，墨笔","纵42.8厘米，横285.5厘米","",[],118,1,0,"BDBDBD",[39,41,43,45,47,49,51,53,55,57,59,61,63,65,67,69,71],{"name":12,"slug":40},"guo-hua",{"name":13,"slug":42},"shu-hua",{"name":14,"slug":44},"chang-juan",{"name":15,"slug":46},"shui-mo",{"name":16,"slug":48},"shan-shui",{"name":17,"slug":50},"cun-fa",{"name":18,"slug":52},"shu-fa",{"name":19,"slug":54},"yin-zhang",{"name":20,"slug":56},"xing-shu",{"name":21,"slug":58},"qi-feng",{"name":22,"slug":60},"shan-luan",{"name":23,"slug":62},"he-liu",{"name":24,"slug":64},"shu-mu",{"name":25,"slug":66},"shan-shi",{"name":26,"slug":68},"yun-wu",{"name":27,"slug":70},"zhou-ji",{"name":28,"slug":72},"wu-she",1777535397057]