[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"artwork-sou-shan-tu-juan-yi-ming-223478":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":39,"mainColor":40,"tagLinks":41},223478,"sou-shan-tu-juan-yi-ming-223478","搜山图卷","宋","佚名","北京故宫博物院","《搜山图》卷表现的是民间传说二郎神搜山降魔的故事，所以也称为《二郎神搜山图》。二郎神的故事在民间广泛流传，在许多文艺作品中也有反映。元代有《二郎神醉射锁魔镜》的杂剧，描写二郎神与九首牛魔王、哪吒及金睛百眼鬼比试高低，最后拿住二洞妖魔的故事。据记载，最早有北宋画家高益画的《鬼神搜山图》，受到皇帝的重视。以后明、清两代，不断有传本出现。\n此卷《搜山图》是南宋末或元初人的手迹。人物用工笔重彩，衣纹用铁线描，刚劲有力，形象刻画生动传神，非凡手可及。山林树木皴法豪纵，近乎南宋刘松年的风格。与同一题材的各种不同本子比较，此卷是个残本，其中缺少主神即二郎神部分，但是其绘画技巧却高出其它各本。图中描绘神兵神将们耀武扬威地搜索山林中各种魔怪。魔怪们均是各种野兽变的，有虎、熊、豕、猴、狐狸、山羊、獐、兔、蜥蜴、蛇及树精木魅等。这些妖怪，或是原形，或化为女子，他们都在神将们追逐下，仓惶逃命，或藏匿山洞，或拒绝受擒。而那些神将们则手持刀枪剑戟、纵鹰放犬，前堵后截，使妖怪无处逃身。本来，二郎神是作为正面人物来歌颂的，然而看了此卷之后，却得到了一个相反的印象。那些神兵神将，一个个凶神恶煞，使人们憎恶，而那些妖怪们却面目和善，那种惊怖逃生的内心刻画，令人同情。不知作者是有意还是无意，使观者自然地就会联想到，当时社会那些官兵对老百姓的欺压情形。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31],"高清","国画","名画","书画","长卷","工笔","设色","人物","山水","兽","虎","豹","鹰","蛇","兔","树木","山石","飞鸟","神仙","鬼怪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d5ad08cdb1d23179ccbc0394feeea8b.jpg","绢本，设色","纵53.3厘米，横533厘米","",[],80,1,0,"795548",[42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72,74,76,78,80],{"name":12,"slug":43},"gao-qing",{"name":13,"slug":45},"guo-hua",{"name":14,"slug":47},"ming-hua",{"name":15,"slug":49},"shu-hua",{"name":16,"slug":51},"chang-juan",{"name":17,"slug":53},"gong-bi",{"name":18,"slug":55},"she-se",{"name":19,"slug":57},"ren-wu",{"name":20,"slug":59},"shan-shui",{"name":21,"slug":61},"shou",{"name":22,"slug":63},"hu",{"name":23,"slug":65},"bao",{"name":24,"slug":67},"ying",{"name":25,"slug":69},"she",{"name":26,"slug":71},"tu",{"name":27,"slug":73},"shu-mu",{"name":28,"slug":75},"shan-shi",{"name":29,"slug":77},"fei-niao",{"name":30,"slug":79},"shen-xian",{"name":31,"slug":81},"gui-guai",1777535399722]