[{"data":1,"prerenderedAt":68},["ShallowReactive",2],{"artwork-sui-chao-qing-gong-tu-wu-chang-shuo-224219":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":33,"zanCount":34,"manualWeight":35,"mainColor":36,"tagLinks":37},224219,"sui-chao-qing-gong-tu-wu-chang-shuo-224219","岁朝清供图","清","吴昌硕","北京故宫博物院","岁朝指农历元旦，历代画家特别是文人画家都喜欢在这一天绘制《岁朝清供图》，作为新年伊始的首幅作品。吴昌硕作为一名文人画家，也几乎每年都画《岁朝清供图》，且多所变化，其最大的特点是很少取材于牡丹，他在《缶庐别存》中有一段话披露了其用意，文曰：“己丑除夕，闭门守岁，呵冻作画自娱。凡岁朝图多画牡丹，以富贵名也。予穷居海上，一官如虱，富贵花必不相称，故写梅取有出世姿，写菊取有傲霜骨，读书短檠，我家长物也，此是缶庐中冷淡生活。”此段话写于1889年，而在这幅1915年的《岁朝清供图》中仍然不见牡丹形象，其时吴氏的生活已有了极大改善，但仍不画牡丹，可见其富贵不移初志的高雅人格与画品。\n此图以瓶梅、水仙、蒲草、秀石诸品组合而成，并置于瓶盆等器物中，以示为案头清供之物。物品高下低昂、错落有致地安排于画面，并以右高左低的对角形式排列，左上角和右下角分别配以题识和印章，这是吴昌硕花卉画中常用的构图形式。画面左上角自题：“岁朝清供。岁朝写案头花，象古人所作岁时物之迁流也，兹拟其意。乙卯岁寒吴昌硕。”\n此图信手挥洒，真情流溢笔端。高颈古瓶中的一枝红梅，以及翠绿的水仙，纷披的蒲草，皆得其大意，笔法隽逸洒脱，极具清逸雅淡之气。用墨、设色也恰到好处，用墨浓淡相宜，设色俏丽鲜艳，雅妍相兼，双勾敷色的水仙花，更体现了吴氏晚年运笔遒劲古拙的独特风韵。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"高清","国画","书画","立轴","设色","水墨","行书","印章","写意","花鸟","梅","水仙","孤石","柿子","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe60ee9f04eb4937057270e254c03e2aa.jpg","纸本，设色","纵151.6厘米，横80.7厘米","花鸟画精选",[30,32],"设色画精选",321,1,0,"BDBDBD",[38,40,42,44,46,48,50,52,54,56,58,60,62,64,66],{"name":12,"slug":39},"gao-qing",{"name":13,"slug":41},"guo-hua",{"name":14,"slug":43},"shu-hua",{"name":15,"slug":45},"li-zhou",{"name":16,"slug":47},"she-se",{"name":17,"slug":49},"shui-mo",{"name":18,"slug":51},"xing-shu",{"name":19,"slug":53},"yin-zhang",{"name":20,"slug":55},"xie-yi",{"name":21,"slug":57},"hua-niao",{"name":22,"slug":59},"mei",{"name":23,"slug":61},"shui-xian",{"name":24,"slug":63},"gu-shi",{"name":25,"slug":65},"shi-zi-486",{"name":26,"slug":67},"qi",1777535393790]