[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"artwork-tao-yuan-xian-jing-tu-zhou-chou-ying-222208":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":37,"zanCount":38,"manualWeight":39,"mainColor":40,"tagLinks":41},222208,"tao-yuan-xian-jing-tu-zhou-chou-ying-222208","桃源仙境图轴","明","仇英","天津博物馆","此为明代“吴门四家”之一的仇英所作的青绿山水人物画\n仇英（1494—1561），字实父，号十洲，江苏太仓人，寓居苏州。漆工出身，后师周臣学画。善画人物、山水等，所绘山水以青绿重色为多，师法赵伯驹、刘松年。长于临摹，功力精湛，是明代中期画坛的巨擘。与沈周、文徵明、唐寅并称“明四家”。\n《桃源仙境图》的题材取自《桃花源记》。《桃花源记》是晋代脍炙人口的文学名篇。《桃源仙境图》即描绘了文人理想中的隐居之乐。画面远景峰峦耸峙，山间白云缭绕，殿宇楼台时隐时现，展现了恬静、远离世俗、虚幻缥缈的人间仙境。前景清泉沿石壁顺势而下，汇成宽阔的河面，曲折的古松、星星点点的桃花树，有三位白衣高士临流而坐抚琴清谈，两个书童随侍。全画作者用大青绿着色，山石以勾斫的笔法，较少皴染，色彩华丽而不艳俗，用笔工致而不呆板。\n此图画面右下角石上有行楷小字，款署“仇英实父为怀云先生制”，是仇英为其好友陈官（号怀云，江苏富豪）所作。据史料记载，仇英于四五十岁时受陈官延请至其家中驻馆作画。仇英为其所绘的作品中最著名的要数《桃源仙境图》轴和《职贡图》卷。仇英的传世作品较多，有关桃源题材的作品还有《桃花源图》《玉洞仙源图》《仙山楼阁图》《云溪仙馆图》等等。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30],"高清","国画","书画","立轴","青绿","设色","工笔","山水","人物","楼阁","小桥","树木","山石","云雾","建筑","植被","山峦","溪流","仙境","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14ade6201174dd570a6a6f1b1b739de8.jpg","绢本 设色","纵175厘米，横66.7厘米","山水画精选",[34,36],"设色画精选",1533,15,0,"795548",[42,44,46,48,50,52,54,56,58,60,62,64,66,68,70,72,74,76,78],{"name":12,"slug":43},"gao-qing",{"name":13,"slug":45},"guo-hua",{"name":14,"slug":47},"shu-hua",{"name":15,"slug":49},"li-zhou",{"name":16,"slug":51},"qing-lv",{"name":17,"slug":53},"she-se",{"name":18,"slug":55},"gong-bi",{"name":19,"slug":57},"shan-shui",{"name":20,"slug":59},"ren-wu",{"name":21,"slug":61},"lou-ge",{"name":22,"slug":63},"xiao-qiao",{"name":23,"slug":65},"shu-mu",{"name":24,"slug":67},"shan-shi",{"name":25,"slug":69},"yun-wu",{"name":26,"slug":71},"jian-zhu",{"name":27,"slug":73},"zhi-bei",{"name":28,"slug":75},"shan-luan",{"name":29,"slug":77},"xi-liu",{"name":30,"slug":79},"xian-jing",1777535392643]