[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-tao-zhu-jin-ji-tu-ma-ben-218882":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},218882,"tao-zhu-jin-ji-tu-ma-ben-218882","桃竹锦鸡图","宋","马贲","私人收藏","马氏家族绘画代代相传，必然有一些绘画技法是代代相传的。从这个角度，我们可以看到，《桃竹锦鸡图》右边的桃树枝干部分，与马远《西园雅集图》等作品中的树干画法，非常接近，都是直来直去的描绘方式；《桃竹锦鸡图》中非常显眼的燕子，与收藏在日本大和文华馆的马远《竹燕图》，存在非常明确的一致性。竹子的画法与传世马远多件绘画中的竹子，更是接近。通过这些细节的全面比较，可以判断：《桃竹锦鸡图》是马氏家族的作品。\n《桃竹锦鸡图》从时间坐标上看，是宣和时代；从绘画特征来看，是马氏家族；那么，按照逻辑，《桃竹锦鸡图》的作者就是马贲。马贲的生活时代跨北宋神宗、哲宗、徽宗，比崔白、吴元瑜等画家的活动时间略晚10-20年。他是南宋大画家马远的曾祖父，马氏五代绘画家族的第一代人物。他的晚期作品，受宣和时代影响，应该具有典型的宣和画家绘画意识。",[12,13,14,15,16,17,18,19,20,21,22],"国画","名画","书画","工笔","设色","花鸟","桃","竹","锦鸡","孤石","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc1576814ae297b450aa13cc8ea4cb67.jpg","绢本,设色","21x22cm","花鸟画精选",[26],51,1,0,"795548",[33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":34},"guo-hua",{"name":13,"slug":36},"ming-hua",{"name":14,"slug":38},"shu-hua",{"name":15,"slug":40},"gong-bi",{"name":16,"slug":42},"she-se",{"name":17,"slug":44},"hua-niao",{"name":18,"slug":46},"tao",{"name":19,"slug":48},"zhu",{"name":20,"slug":50},"jin-ji",{"name":21,"slug":52},"gu-shi",{"name":22,"slug":54},"fei-niao",1777535404738]