[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"artwork-tian-chi-shi-bi-tu-huang-gong-wang-220764":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":26,"collection":27,"collections":28,"showCount":30,"zanCount":31,"manualWeight":32,"mainColor":33,"tagLinks":34},220764,"tian-chi-shi-bi-tu-huang-gong-wang-220764","天池石壁图","元","黄公望","北京故宫博物院","此图描绘的是苏州城西吴县境内天池山的景色。天池山与灵岩山、天平山一脉相连，峰巅矗立巨石，远望巧若莲花，人称“华山”。山一侧的半山坳中长年积有一泓碧水，名曰“天池”，故山之这一面亦被称为“天池山”。\n画面兼用高远和深远的构图方法。近景丘陵溪涧，长松茂树。山径迂曲，通向主峰。画面正中层峦叠嶂，天池居于右上，两侧石壁对峙，池中水阁数椽。主峰两侧烟云流润，使画面虚实相生。\n此幅构图繁复，高坡陡崖错落分布，雄秀多姿。画家状物之笔虽较简略，杂树多用横点，山石作披麻皴，但线条却显得自然流畅，起落有序；笔法朴厚苍润，变化多端。设色采用“浅绛法”，多用淡赭，并以墨青、墨绿合染，冷暖互补，极佳地表现出山色的青葱与阳光的和煦。正如清吴修所云：“赭色微黄画里春，墨青墨绿染精神。”\n黄公望擅长的“浅绛法”在中国古代山水画的发展中具有重要地位，此图即其典范作品。另，本幅柳贯长题中称黄公望为“吴兴室内大弟子”，说明黄公望曾就学于赵孟頫，这是画史研究中的重要资料。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","皴法","水墨","设色","山水","山峦","石壁","林木","溪流","岩石","树","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1df5e8d7eaf93e6a6599ee59965a71b.jpg","绢本","纵139.4厘米，横57.3厘米","山水画精选",[27,29],"水墨画精选",237,2,0,"795548",[35,37,39,41,43,45,47,49,51,53,55,57],{"name":12,"slug":36},"gao-qing",{"name":13,"slug":38},"cun-fa",{"name":14,"slug":40},"shui-mo",{"name":15,"slug":42},"she-se",{"name":16,"slug":44},"shan-shui",{"name":17,"slug":46},"shan-luan",{"name":18,"slug":48},"shi-bi",{"name":19,"slug":50},"lin-mu",{"name":20,"slug":52},"xi-liu",{"name":21,"slug":54},"yan-shi",{"name":22,"slug":56},"shu",{"name":23,"slug":58},"ting",1777535394294]