[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-tong-fa-lang-lu-yi-ming-229080":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},229080,"tong-fa-lang-lu-yi-ming-229080","铜珐瑯炉","清","佚名","藏地不详","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[12,13,14,15,16,17,18,19,20,21,22],"清代","铜制","珐琅器","彩釉","纹饰","三足","双耳","传统工艺","金属工艺","设色","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc15b34e1d82790e096f4a08956ef867.jpg","未知","Xcm*Xcm","",[],2,0,"795548",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"qing-dai",{"name":13,"slug":35},"tong-zhi",{"name":14,"slug":37},"fa-lang-qi",{"name":15,"slug":39},"cai-you",{"name":16,"slug":41},"wen-shi",{"name":17,"slug":43},"san-zu",{"name":18,"slug":45},"shuang-er",{"name":19,"slug":47},"chuan-tong-gong-yi",{"name":20,"slug":49},"jin-shu-gong-yi",{"name":21,"slug":51},"she-se",{"name":22,"slug":53},"qi-wu",1777535471973]