[{"data":1,"prerenderedAt":45},["ShallowReactive",2],{"artwork-tong-tai-hua-fa-lang-bao-fu-wen-gai-guan-yi-ming-229598":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":22,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},229598,"tong-tai-hua-fa-lang-bao-fu-wen-gai-guan-yi-ming-229598","铜胎画珐瑯包袱纹盖罐","清","佚名","藏地不详","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[12,13,14,15,16,17,18,19],"铜制","画珐琅","珐瑯器","设色","包袱纹","牡丹","花卉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91f1641bf0863a2fc7c90a7420ae27dc.jpg","未知","Xcm*Xcm","",[],1,0,"795548",[29,31,33,35,37,39,41,43],{"name":12,"slug":30},"tong-zhi",{"name":13,"slug":32},"hua-fa-lang",{"name":14,"slug":34},"fa-lang-qi-4356",{"name":15,"slug":36},"she-se",{"name":16,"slug":38},"bao-fu-wen",{"name":17,"slug":40},"mu-dan",{"name":18,"slug":42},"hua-hui",{"name":19,"slug":44},"qi",1777535500242]