[{"data":1,"prerenderedAt":51},["ShallowReactive",2],{"artwork-tong-tai-hua-fa-lang-xi-yang-ren-wu-guan-yin-ping-1-yi-ming-229578":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},229578,"tong-tai-hua-fa-lang-xi-yang-ren-wu-guan-yin-ping-1-yi-ming-229578","铜胎画珐瑯西洋人物观音瓶-1","清","佚名","藏地不详","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[12,13,14,15,16,17,18,19,20,21],"清代","铜胎","画珐琅","珐琅器","西洋人物","飞鸟","花卉","树木","房屋","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F670d228ea343cdfe0d843ccace0bd3ec.jpg","未知","Xcm*Xcm","",[],4,0,"795548",[31,33,35,37,39,41,43,45,47,49],{"name":12,"slug":32},"qing-dai",{"name":13,"slug":34},"tong-tai",{"name":14,"slug":36},"hua-fa-lang",{"name":15,"slug":38},"fa-lang-qi",{"name":16,"slug":40},"xi-yang-ren-wu",{"name":17,"slug":42},"fei-niao",{"name":18,"slug":44},"hua-hui",{"name":19,"slug":46},"shu-mu",{"name":20,"slug":48},"fang-wu",{"name":21,"slug":50},"qi",1777535450933]