[{"data":1,"prerenderedAt":42},["ShallowReactive",2],{"artwork-tong-tai-qia-si-fa-lang-shi-xiang-zi-zai-fan-wen-die-yi-ming-229544":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":25,"manualWeight":25,"mainColor":26,"tagLinks":27},229544,"tong-tai-qia-si-fa-lang-shi-xiang-zi-zai-fan-wen-die-yi-ming-229544","铜胎掐丝珐瑯十相自在梵文碟","清","佚名","藏地不详","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[12,13,14,15,16,17,18],"清代","铜胎掐丝珐琅","珐琅器","铜制","宗教","梵文","十相自在图案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff952fe641c9805f0d6cb7e0e7ef04b68.jpg","未知","Xcm*Xcm","",[],1,0,"795548",[28,30,32,34,36,38,40],{"name":12,"slug":29},"qing-dai",{"name":13,"slug":31},"tong-tai-qia-si-fa-lang",{"name":14,"slug":33},"fa-lang-qi",{"name":15,"slug":35},"tong-zhi",{"name":16,"slug":37},"zong-jiao",{"name":17,"slug":39},"fan-wen",{"name":18,"slug":41},"shi-xiang-zi-zai-tu-an",1777535500264]