[{"data":1,"prerenderedAt":67},["ShallowReactive",2],{"artwork-tong-yin-wan-he-tu-zhou-shen-zhou-234896":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":33,"manualWeight":34,"mainColor":35,"tagLinks":36},234896,"tong-yin-wan-he-tu-zhou-shen-zhou-234896","桐荫玩鹤图轴","明","沈周","北京故宫博物院","北京故宫博物院建院90周年石渠宝笈特展（2015.9.8）首次释出，之前仅见于出版物。具体规格不详。网上找不到更多的资料。从画面上看，乾隆曾经两度题跋，可见对此画之钟爱。绘画风格属于沈周细笔青绿山水一路，表现的是文人雅士向往的闲适生活。\n沈周(1427-1509)，明代书画家。字启南，号石田、白石翁、玉田生、有竹居主人等。长洲(今江苏苏州)人。不应科举，专事诗文、书画，是明代中期文人画吴派的开创者，与文徵明、唐寅、仇英并称明四家。传世作品有《庐山高图》、《秋林话旧图》、《沧州趣图》。著有《石田集》、《客座新闻》等。\n沈周在元明以来文人画领域有承前启后的作用。他书法师黄庭坚，绘画造诣尤深，兼工山水、花鸟，也能画人物，以山水和花鸟成就突出。 在绘画方法上，沈周早年承受家学，兼师杜琼。后来博取众长，出入于宋元各家，主要继承董源、巨然以及元四家黄公望、王蒙，吴镇的水墨浅绛体系。又参以南宋李、刘、马、夏劲健的笔墨，融会贯通，刚柔并用，形成粗笔水墨的新风格，自成一家。沈周中年时成为画坛领袖，技法严谨秀丽，用笔沉着稳练，内藏筋骨。晚年时性情开朗，笔墨粗简豪放，气势雄浑。纵观沈周之绘画，技法全面，功力浑厚，在师宋元之法的基础上有自己的创造，进一步发展了文人水墨山水、花鸟画的表现技法，被誉为吴门画派之领袖。",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"国画","书画","名画","立轴","水墨","设色","皴法","山水","桐树","鹤","山石","树木","人物","溪流","悬崖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feff1190c5847d26b513d9f435eb7b973.jpg","绢本 ，设色","纵123.8cm，横62.6cm","",[],116,1,0,"BDBDBD",[37,39,41,43,45,47,49,51,53,55,57,59,61,63,65],{"name":12,"slug":38},"guo-hua",{"name":13,"slug":40},"shu-hua",{"name":14,"slug":42},"ming-hua",{"name":15,"slug":44},"li-zhou",{"name":16,"slug":46},"shui-mo",{"name":17,"slug":48},"she-se",{"name":18,"slug":50},"cun-fa",{"name":19,"slug":52},"shan-shui",{"name":20,"slug":54},"tong-shu",{"name":21,"slug":56},"he-29",{"name":22,"slug":58},"shan-shi",{"name":23,"slug":60},"shu-mu",{"name":24,"slug":62},"ren-wu",{"name":25,"slug":64},"xi-liu",{"name":26,"slug":66},"xuan-ya",1777535397145]