[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"artwork-tong-zi-li-fo-tu-chen-hong-shou-228293":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":24,"material":25,"size":25,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":28,"mainColor":29,"tagLinks":30},228293,"tong-zi-li-fo-tu-chen-hong-shou-228293","童子礼佛图","明","陈洪绶","藏地不详","《陈洪绶童子礼佛图轴》是明代画家陈洪绶创作的一幅设色画。\n本幅款署：“老莲洪绶画于获兰草堂。\n”钤“陈洪绶印”白文、“ ”朱文印。\n《童子礼佛图》描绘四名儿童搭佛塔礼佛的情景。\n图中一太湖石竖立，石前放一尊雕琢精致的佛造像和供佛用的铜塔。\n佛前，二儿童拜佛，一儿童献花，另一儿童跪着擦拭铜塔，各个神态专注，他们收敛 起顽皮，显露出庄重，其中一名儿童磕头时露出胖臀，不免令人忍俊不禁。\n此图太湖石用较粗的笔法勾画，玲珑剔透，轮廓线多呈弧状，尖利而挺拔。\n佛像及人物全用细劲的线条画出，层次细腻，风格典雅，设色明丽温和，技法纯熟，人物神形兼备，富有情趣。\n此图反映了陈洪绶在表现儿童方面的精湛技艺和深厚功力，也充分体现了佛教信仰在百姓的日常生活中对儿童的熏陶与影响。\n陈洪绶(1597—1652年)，字章侯，号老莲、悔迟，诸暨（今属浙江省）人。\n明代画家。\n早年受业于著名学者刘宗周、黄道周门下，1642年曾到北京为国子监生，授中书舍人，供奉内廷，不久即离京南归。\n明朝灭亡后，为躲避清兵，一度在绍兴云门寺出家为僧，自号悔迟，亦号老迟。\n后在杭州以卖画为生。\n工诗，擅画，山水、人物、花鸟无一不精。\n其画初受蓝瑛影响，后广泛临学古人，并大胆突破创新，所作人物、花鸟形象古拙，擅用夸张变形手法，独树一帜，为晚明变形主义绘画大师。\n与崔子忠齐名于南北，世称“南陈北崔”。\n其画风对后世有巨大影响。\n著《宝纶堂集》。",[12,13,14,15,16,17,18,19,20,21,22,23],"高清","国画","书画","立轴","宗教","工笔","设色","人物","孤石","佛塔","菊花","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6af7033f8cadf5f5c26728c6a40368bb.jpg","",[],23,0,"795548",[31,33,35,37,39,41,43,45,47,49,51,53],{"name":12,"slug":32},"gao-qing",{"name":13,"slug":34},"guo-hua",{"name":14,"slug":36},"shu-hua",{"name":15,"slug":38},"li-zhou",{"name":16,"slug":40},"zong-jiao",{"name":17,"slug":42},"gong-bi",{"name":18,"slug":44},"she-se",{"name":19,"slug":46},"ren-wu",{"name":20,"slug":48},"gu-shi",{"name":21,"slug":50},"fo-ta",{"name":22,"slug":52},"ju-hua",{"name":23,"slug":54},"yin-zhang",1777535415620]