[{"data":1,"prerenderedAt":41},["ShallowReactive",2],{"artwork-wang-jin-sheng-wang-chuan-tu-mo-hua-zi-gang-mo-yi-ming-270620":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":19,"material":20,"size":21,"collection":22,"collections":23,"showCount":24,"zanCount":24,"manualWeight":24,"mainColor":25,"tagLinks":26},270620,"wang-jin-sheng-wang-chuan-tu-mo-hua-zi-gang-mo-yi-ming-270620","汪近圣辋川图墨-华子冈墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[12,13,14,15,16,17,18],"墨","书法","楷书","飞鸟","夕阳","山","文房用品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F548f93123142668dc6676d95b526c974.jpg","未知","Xcm*Xcm","",[],0,"795548",[27,29,31,33,35,37,39],{"name":12,"slug":28},"mo",{"name":13,"slug":30},"shu-fa",{"name":14,"slug":32},"kai-shu",{"name":15,"slug":34},"fei-niao",{"name":16,"slug":36},"xi-yang",{"name":17,"slug":38},"shan",{"name":18,"slug":40},"wen-fang-yong-pin",1777535537385]