[{"data":1,"prerenderedAt":46},["ShallowReactive",2],{"artwork-wu-niu-tu-juan-han-huang-232938":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":20,"material":21,"size":22,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":27,"mainColor":28,"tagLinks":29},232938,"wu-niu-tu-juan-han-huang-232938","五牛图卷","唐","韩滉","北京故宫博物院","本图无作者款印，本幅及尾纸上有赵孟頫、孙弘、项元汴、弘历、金农等十四家题记。\n《五牛图》是目前所见最早作于纸上的绘画，纸质为麻料，具有唐代纸张的特点。图画五牛，形象不一，姿态各异，或行或立，或俯首，或昂头，动态十足。其中一牛完全画成正面，视角独特，显示出作者高超的造型能力。作者以简洁的线条勾勒出牛的骨骼转折，筋肉缠裹，笔法老练流畅，线条富有力度和精确的艺术表现力。牛头部与口鼻处的根根细毛，更是笔笔入微。每头牛皆目光炯炯，作者通过对眼神的着力刻画，将牛既温顺又倔强的性格表现得极为传神。作品完全以牛为表现对象，无背景衬托，造型准确生动，设色清淡古朴，浓淡渲染有别，画面层次丰富，达到了形神兼备之境界。以牛入画是中国古代绘画的传统题材之一，体现了农业古国以农为本的主导思想。韩滉任职宰相期间，注重农业发展，此图可能含有鼓励农耕的意义。《五牛图》是其作品的传世孤本，也是为数寥寥的几件唐代纸绢绘画真迹之一，因此不论其艺术成就还是历史价值都备受世人关注。",[12,13,14,15,16,17,18,19],"国画","书画","长卷","设色","工笔","牛","兽","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51331287195c83fe7996d6c65918e66c.jpg","纸本，设色","纵20.8厘米，横139.8厘米","",[],364,7,0,"F48FB1",[30,32,34,36,38,40,42,44],{"name":12,"slug":31},"guo-hua",{"name":13,"slug":33},"shu-hua",{"name":14,"slug":35},"chang-juan",{"name":15,"slug":37},"she-se",{"name":16,"slug":39},"gong-bi",{"name":17,"slug":41},"niu",{"name":18,"slug":43},"shou",{"name":19,"slug":45},"yin-zhang",1777535393627]