[{"data":1,"prerenderedAt":53},["ShallowReactive",2],{"artwork-wu-niu-tu-quan-juan-han-huang-221052":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":28,"zanCount":29,"manualWeight":30,"mainColor":31,"tagLinks":32},221052,"wu-niu-tu-quan-juan-han-huang-221052","五牛图全卷","唐","韩滉","北京故宫博物院","《五牛图》是目前所见最早作于纸上的绘画，纸质为麻料，具有唐代纸张的特点。图画五牛，形象不一，姿态各异，或行或立，或俯首，或昂头，动态十足。其中一牛完全画成正面，视角独特，显示出作者高超的造型能力。作者以简洁的线条勾勒出牛的骨骼转折，筋肉缠裹，笔法老练流畅，线条富有力度和精确的艺术表现力。牛头部与口鼻处的根根细毛，更是笔笔入微。每头牛皆目光炯炯，作者通过对眼神的着力刻画，将牛既温顺又倔强的性格表现得极为传神。作品完全以牛为表现对象，无背景衬托，造型准确生动，设色清淡古朴，浓淡渲染有别，画面层次丰富，达到了形神兼备之境界。以牛入画是中国古代绘画的传统题材之一，体现了农业古国以农为本的主导思想。韩滉任职宰相期间，注重农业发展，此图可能含有鼓励农耕的意义。《五牛图》是其作品的传世孤本，也是为数寥寥的几件唐代纸绢绘画真迹之一，因此不论其艺术成就还是历史价值都备受世人关注。",[12,13,14,15,16,17,18,19,20,21],"高清","国画","长卷","设色","工笔","印章","书法","行书","牛","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F102bd0cd5d4cb918fdece3f7352d6ced.jpg","绢本","525.92X21.6cm","书法精选",[25,27],"碑帖精选",654,4,0,"BDBDBD",[33,35,37,39,41,43,45,47,49,51],{"name":12,"slug":34},"gao-qing",{"name":13,"slug":36},"guo-hua",{"name":14,"slug":38},"chang-juan",{"name":15,"slug":40},"she-se",{"name":16,"slug":42},"gong-bi",{"name":17,"slug":44},"yin-zhang",{"name":18,"slug":46},"shu-fa",{"name":19,"slug":48},"xing-shu",{"name":20,"slug":50},"niu",{"name":21,"slug":52},"shou",1777535393049]