[{"data":1,"prerenderedAt":68},["ShallowReactive",2],{"artwork-xi-hu-shi-jing-hua-xin-ye-xiao-yan-221244":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":33,"zanCount":34,"manualWeight":35,"mainColor":36,"tagLinks":37},221244,"xi-hu-shi-jing-hua-xin-ye-xiao-yan-221244","西湖十景画芯","宋","叶肖严","台北故宫博物院","该册以西湖十景为题，西湖在浙江省杭州市城西，亦名钱塘湖，苏轼诗有“欲把西湖比西子”之句，因又名西子湖，三面环山，有南北两高峰对峙；湖中有苏，白两堤，四时风物清佳，以十景驰名於世。山石以大斧劈法，着重烘染，用笔简洁有韵致，构景设色取意都见巧思\n叶肖岩作人物小景，颇类马远，然其迹世多不见也。 如“雷峰夕照”之远山后缘用淡朱稍加施染，霞光微露，已然夕阳西沉。余诸页亦如是，虽细微处，亦细洁圆润。描绘花港观鱼的景色。寺宇掩映于柳林之间，湖中一人泛舟，悠游自得。峭峰直下，不见其顶，构图方式与马远山水同出一辙。用笔洁简，著重烘染，清雅秀润。\n该册页采用诗画合一的形式，以杭州工笔技法专为该画册页创作的西湖十景，其风格似马远而略拘谨，山石多用湿笔轻染，石顶稍加小斧劈皴，与夏珪的大笔拖染、磅礴挥洒不同。西湖四时风物清佳，以及乾隆皇帝钦定的西湖十景诗作为册页的主要内容，辅以西湖十景图",[12,13,14,15,16,17,18,19,20,21,22,23,24,25,26],"高清","名画","国画","书画","册","水墨","设色","皴法","山水","亭","树木","孤舟","山峰","远山","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F326d0fb6069b73edd75991a2f5e6a450.jpg","白纸本","对幅23.9x20.2公分","宋画精选",[30,32],"山水画精选",152,1,0,"795548",[38,40,42,44,46,48,50,52,54,56,58,60,62,64,66],{"name":12,"slug":39},"gao-qing",{"name":13,"slug":41},"ming-hua",{"name":14,"slug":43},"guo-hua",{"name":15,"slug":45},"shu-hua",{"name":16,"slug":47},"ce",{"name":17,"slug":49},"shui-mo",{"name":18,"slug":51},"she-se",{"name":19,"slug":53},"cun-fa",{"name":20,"slug":55},"shan-shui",{"name":21,"slug":57},"ting",{"name":22,"slug":59},"shu-mu",{"name":23,"slug":61},"gu-zhou",{"name":24,"slug":63},"shan-feng",{"name":25,"slug":65},"yuan-shan",{"name":26,"slug":67},"shui-mian",1777535395825]