[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-xi-yue-jiang-ling-tu-juan-quan-juan-li-gong-lin-232627":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},232627,"xi-yue-jiang-ling-tu-juan-quan-juan-li-gong-lin-232627","西岳降灵图卷全卷","宋","李公麟","北京故宫博物院","《西岳降灵图》图卷描绘了各种形形色色人物，包括贵族及其眷属随从，甚至市井中的商人、乞丐、渔父、玩把戏的等等。在不同的程度上表现了各种人的特点。道教画放手描写市井人物，因为道教相信神仙会隐迹在普通人群中间，可以具有普通人的外表。因而这样的道教画又具有了风俗画的特点。李公麟的绘画风格，是重实践而又追求清新的。\n《西岳降灵图》画卷被认为是北宋著名画家李公麟的传世名作之一。从画卷后的跋语及其所钤盖的印章来看，该画卷在明初曾为黔宁王沐英家族收藏，明成化至正德时，又流落到大太监钱宁手中，清代则为鉴藏家梁清标所有。该画卷最后的私人收藏者是近现代佛学大师、书画家、鉴藏家叶恭绰先生。特别值得一提的是，叶恭绰先生曾经的重要藏品还有《鸭头丸贴》、《毛公鼎》等等。虽然《西岳降灵图》并未见诸著录，但经许多收藏大家之手审定、珍藏，也可说是流传有序了。",[12,13,14,15,16,17,18,19,20,21,22],"高清","国画","名画","长卷","白描","人物","马","云","神仙","仪仗","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38fa89bfeaab83091e6e70ab92b978e3.jpg","纸本","纵26.5厘米，横513.7厘米","",[],33,0,"795548",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"ming-hua",{"name":15,"slug":39},"chang-juan",{"name":16,"slug":41},"bai-miao",{"name":17,"slug":43},"ren-wu",{"name":18,"slug":45},"ma",{"name":19,"slug":47},"yun",{"name":20,"slug":49},"shen-xian",{"name":21,"slug":51},"yi-zhang",{"name":22,"slug":53},"yin-zhang",1777535410056]