[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-xian-e-chang-chun-tu-02a-shao-yao-lang-shi-ning-222741":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":16,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},222741,"xian-e-chang-chun-tu-02a-shao-yao-lang-shi-ning-222741","仙萼长春图-02a（芍药）","清","郎世宁","台北故宫博物院","本册共十六开内容分别描绘牡丹、桃花、芍药、海棠玉兰、虞美人、蝴蝶花、黄刺玫牡丹、石竹、樱桃、罂粟、紫白丁香、百合花牡丹、翠竹牵牛、荷花慈姑花、豆花稷穗、鸡冠花、菊花等，其中有八开还画有鸟禽，整册内容与《石渠宝笈三编》著录之〈郎世宁画花卉册〉一致，对幅皆是空白，而最末一开有宋体书款「臣郎世宁恭画」，依据画风特色推测是郎世宁雍正时期的花鸟佳作。全册不仅设色精緻，构图手法也见新意。特别能于鸟禽形体姿态上有超乎传统的表现，是西法透视手法的精采成果。画中花鸟多处能够显示光影明暗，透过白色颜料提点高光的技巧也常见运用。整册画风都一再显示其与郎世宁雍正前期画风有关。",[12,13,14,15,16,17,18,19,20,21,22],"高清","国画","名画","工笔","设色","花鸟","芍药","花","叶","枝干","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0c91a3aea82e716ab6aa9b460afb178.jpg","宽28.4公分，高33.7公分","",[],106,1,0,"BDBDBD",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"guo-hua",{"name":14,"slug":37},"ming-hua",{"name":15,"slug":39},"gong-bi",{"name":16,"slug":41},"she-se",{"name":17,"slug":43},"hua-niao",{"name":18,"slug":45},"shao-yao",{"name":19,"slug":47},"hua",{"name":20,"slug":49},"ye",{"name":21,"slug":51},"zhi-gan",{"name":22,"slug":53},"gu-shi",1777535397642]