[{"data":1,"prerenderedAt":50},["ShallowReactive",2],{"artwork-xian-e-chang-chun-tu-06a-lang-shi-ning-222749":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":17,"size":23,"collection":24,"collections":25,"showCount":26,"zanCount":27,"manualWeight":27,"mainColor":28,"tagLinks":29},222749,"xian-e-chang-chun-tu-06a-lang-shi-ning-222749","仙萼长春图-06a","清","郎世宁","台北故宫博物院","本册共十六开内容分别描绘牡丹、桃花、芍药、海棠玉兰、虞美人、蝴蝶花、黄刺玫牡丹、石竹、樱桃、罂粟、紫白丁香、百合花牡丹、翠竹牵牛、荷花慈姑花、豆花稷穗、鸡冠花、菊花等，其中有八开还画有鸟禽，整册内容与《石渠宝笈三编》著录之〈郎世宁画花卉册〉一致，对幅皆是空白，而最末一开有宋体书款「臣郎世宁恭画」，依据画风特色推测是郎世宁雍正时期的花鸟佳作。全册不仅设色精緻，构图手法也见新意。特别能于鸟禽形体姿态上有超乎传统的表现，是西法透视手法的精采成果。画中花鸟多处能够显示光影明暗，透过白色颜料提点高光的技巧也常见运用。整册画风都一再显示其与郎世宁雍正前期画风有关。",[12,13,14,15,16,17,18,19,20,21],"高清","名画","国画","书画","册","设色","工笔","花鸟","百合花","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4adacdd9409943ffa72bb6bc318274c3.jpg","宽28.4公分，高33.7公分","",[],95,0,"BDBDBD",[30,32,34,36,38,40,42,44,46,48],{"name":12,"slug":31},"gao-qing",{"name":13,"slug":33},"ming-hua",{"name":14,"slug":35},"guo-hua",{"name":15,"slug":37},"shu-hua",{"name":16,"slug":39},"ce",{"name":17,"slug":41},"she-se",{"name":18,"slug":43},"gong-bi",{"name":19,"slug":45},"hua-niao",{"name":20,"slug":47},"bai-he-hua",{"name":21,"slug":49},"mu-dan",1777535398320]