[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"artwork-xian-yan-cai-yao-tu-li-tang-218981":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":23,"material":24,"size":25,"collection":26,"collections":27,"showCount":28,"zanCount":29,"manualWeight":29,"mainColor":30,"tagLinks":31},218981,"xian-yan-cai-yao-tu-li-tang-218981","仙岩采药图","宋","李唐","台北故宫博物院","这幅画来自《名画集》的第七板块，描绘了一个男人肩上扛着一个葫芦，沿着一条蜿蜒的小路走到森林里去采药。艺术家以森林中交错的树枝和茂密的树叶为 实，以溪流和小路为 虚，并采用了对应于实和虚的对角线布局，暗示了南宋边缘构图的思想。石头和树木的轮廓是用浓墨勾勒出来的，树叶是用双钩画出来的，然后用绿色覆盖，使森林看起来更加茂盛。画笔很灵活，用尖锐的细笔画出水面，用更简单的笔触在岩石和树木上创造纹理。没有作者的标记，但树木和石头的画法以及配色都与李唐的相似。也许这就是为什么老签名表明这幅画是李唐的作品。",[12,13,14,15,16,17,18,19,20,21,22],"高清","名画","国画","书画","水墨","皴法","人物","老树","山岩","山水","采药","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1fb1d36a81146ad83b80ed92d8cd863.jpg","绢本,设色","22.4x23.8","宋画精选",[26],81,0,"795548",[32,34,36,38,40,42,44,46,48,50,52],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"ming-hua",{"name":14,"slug":37},"guo-hua",{"name":15,"slug":39},"shu-hua",{"name":16,"slug":41},"shui-mo",{"name":17,"slug":43},"cun-fa",{"name":18,"slug":45},"ren-wu",{"name":19,"slug":47},"lao-shu",{"name":20,"slug":49},"shan-yan",{"name":21,"slug":51},"shan-shui",{"name":22,"slug":53},"cai-yao",1777535399661]