[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"artwork-xie-sheng-zhen-qin-quan-juan-huang-quan-226154":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":24,"collection":25,"collections":26,"showCount":27,"zanCount":28,"manualWeight":29,"mainColor":30,"tagLinks":31},226154,"xie-sheng-zhen-qin-quan-juan-huang-quan-226154","写生珍禽全卷","五代十国","黄筌","藏地不详","黄筌是五代时期最有名的宫廷画家，一个在前蜀、后蜀画院任职40年的大画家，入宋后，又得到宋太祖的激赏。入宋百年一直把他的笔法当作画院画家作画的模范。宋代《宣和画谱卷十八》记载：“祖宗以来，图画院之较艺者，必以黄筌父子笔法为程序……”\n黄筌画出来的画，上自皇帝下至走卒，没有不连声赞叹的。而他留下来的这幅画稿《写生珍禽图卷》，也同样是技巧精湛、内涵丰实、人人叹服的绝世之作。\n这幅画中，画了24只小生物，都是珍禽异鸟。它们在皇宫中受到细心的养护，品种优良，造型独特，有的五彩斑斓，眩人耳目。黄筌在宫中画院任职，能够利用画院的便利条件，观察这些珍禽异鸟，而把它们揽入他的绢素中。\n也许有人会说这幅画没有意境，没有布局章法，鸟、虫都自顾自的，没有交集。其实没布局是有其道理的，因为这是画稿嘛，不是完整独立的画作，只是针对个别鸟虫而画，初学者基本上能掌握住这些生物的外形、动态就行。\n这24只小生命像图鉴般被安置在一方小小绢布上，不但不见拥挤、单调，反倒觉得谐和热闹，视觉上也很赏心悦目。",[12,13,14,15,16,17,18,19,20,21],"高清","工笔","设色","长卷","写生","花鸟","鸟","昆虫","龟","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63ea7bbb08ea8dee423e5e1bfd185218.jpg","未知","Xcm*Xcm","",[],40,1,0,"795548",[32,34,36,38,40,42,44,46,48,50],{"name":12,"slug":33},"gao-qing",{"name":13,"slug":35},"gong-bi",{"name":14,"slug":37},"she-se",{"name":15,"slug":39},"chang-juan",{"name":16,"slug":41},"xie-sheng",{"name":17,"slug":43},"hua-niao",{"name":18,"slug":45},"niao",{"name":19,"slug":47},"kun-chong",{"name":20,"slug":49},"gui",{"name":21,"slug":51},"yin-zhang",1777535407566]