[{"data":1,"prerenderedAt":49},["ShallowReactive",2],{"artwork-xu-liang-biao-zhong-kui-jia-mei-wan-shan-yi-ming-234590":3},{"id":4,"slug":5,"title":6,"dynasty":7,"author":8,"museum":9,"description":10,"tags":11,"thumbUrl":22,"material":23,"size":23,"collection":23,"collections":24,"showCount":25,"zanCount":26,"manualWeight":26,"mainColor":27,"tagLinks":28},234590,"xu-liang-biao-zhong-kui-jia-mei-wan-shan-yi-ming-234590","许良标钟馗嫁妹纨扇","清","佚名","藏地不详","扇面画的历史源流，据张彦远《历代名画记》记载，三国时，曹操就有请杨修为其画扇的故事。到了唐代画扇之风更为盛行，当时的扇子还是圆形的，故称团扇。宋代宫廷画家更是画扇成风，且留下扇面画也很多，扇子的形制出现了芭蕉形的扇子。集书法、绘画于一扇，则始于明代，这是因为折扇形式的出现。国人历来都有这种习性，一件实用品总要给它艺术化，扇面画就是这样经过明清书画家的匠心经营，从而逐步确定了其作为一种独特的艺术品种而广泛普及、流传下来，继而也逐步形成了扇面画独立的审美体系。及至清代、民国，扇面画都是书画家乐于染翰和文人雅士乐于把玩、收藏的艺术品。",[12,13,14,15,16,17,18,19,20,21],"国画","书画","扇面","清代","设色","工笔","人物","驴","轮车","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ec5c85bb02e13742198d4579ee0569f.jpg","",[],46,0,"BDBDBD",[29,31,33,35,37,39,41,43,45,47],{"name":12,"slug":30},"guo-hua",{"name":13,"slug":32},"shu-hua",{"name":14,"slug":34},"shan-mian",{"name":15,"slug":36},"qing-dai",{"name":16,"slug":38},"she-se",{"name":17,"slug":40},"gong-bi",{"name":18,"slug":42},"ren-wu",{"name":19,"slug":44},"lv",{"name":20,"slug":46},"lun-che",{"name":21,"slug":48},"zong-jiao",1777535405862]